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Friday, December 16, 2011

Gorod - Transcendence EP review

Year : 2011
Genre : Technical Death Metal
Label : Willowtip Records, Listenable Records
Origin : France
Rating : 9.6 / 10

The Transendence EP from French superheavyweight technical death metal formation Gorod brings you a package with exceptional readiness to offer flamboyant variation of mood and behavior. The first track, called "Earth Pus" - clap your hands for the dude with the title idea - is an intense album opener that, in my opinion, as a direct escapee from a recent day Obscura LP. Radical-, no holds barred melodic work tears silence with a constant hunt for the bidding of its own capriciousness to see if it wants the fucking riff or not, finding plenty of space to freely and inventively lament beside the blast beat and the singer dude, who happens to have a charismatic nervous breakdown each time he is opening the mouth. So things are pretty acceptable.

The second track is a more gently shaped direction that makes use of a buff acoustic setting, one that is pretty much steroid unplugged in character. Steroid unplugged IS good for your awareness, my love. The music exhibits a nice variety of surprising sonic traits and aspirations via the myriad kinds of minor mood-references it connects with each other to form the flow of the experience. I'm picking up vibes of bittersweet bourbon-schanzon, quite traditional Shakira-asshaker Latin that borders on Al Dimeola's take on circus music, - whenever he shreds madly, he plays circus music, no? - supported efficiently by a haunting-, abundantly note-rich feel that is one favorite of aforementioned act Obscura, as well. This narrative, mysterious mood is traded for yet another set of impressive runs of more traditional forms of music as the build progresses, and, while the skills these passages are explored by, guarantee a rewarding momentary experience, when combined with the musically more engaging feeling of the Obscura-like sci-fi thrill, are prone to deliver a final fabric that blames the traditional elements as finely calibrated fillers, in my opinion. Guys, let's talk about the rest of the tracks, too.

Third installment, "Textures", is a cover of the original piece of the same title from progressive band "Cynic", and, since I must admit I do not currently know the source material, all I can say is that I find this cover to be a more successful -, more richly sounding dataflow to flatter the buff quasi-unplugged setting you have the chance in track 3, as well. This super-eventful delivery, though has distorted twin guitars to offer legit, liquified riff -work with great enthusiasm, also sports a sanely controlled global sound that does not seek to intimidate the ears, and remains a gentle composition at heart, instead. Gently, BUT very richly sounding, that is. I think it is safe to say that the Cynic cover is a superb moment of the LP, and I have the hunch that it ends abruptly enough to express dissatisfaction for. So do that if you want.

Fourth track, called "Earth Pus - Salvation" is a much more focused acoustic build, focused on content that is quite rare to behold, that is. The territory this music is coming from is not one you can fake access to if you have none, and it also is a close border-territory to the thrilling sci-fi vibe so eagerly cultivated by recent technical death acts. It sure as cartoon-hell much better, in my opinion, than the arpeggiated fantasy-bard direction.

Titular track, Transcendence is a 15 minutes epic with an initial tendency to flatter the Turkish cutpurse-chaser vibe with varied intensity, and, though this vibe is not one that I would fight with a raksasha for, I must admit it looks interesting when Gorod jackhammers the living music out of it. When this happens, and the flow arrives to the 5th minute mark, the build already is totally free of the need to relate to any mood, and it sounds much more gracefully consumable. At 6:42, you are in heavy fucking duty death metal with truly top level efficiency, and the sonic richness-, AND the integrity of the fabric herein demands unalloyed praise. The music is relentless and raging for a good amount of time herein, and it stays super-focused while declaring its urge of wanting to devour all, leaving you no other chance than to believe and be devoured, indeed. A devoured listener is a shitty one, too, so Gorod spits you out and resurrects you into totally acceptable form, and takes on a more restrained-, but absolutely rewarding mid-tempo stroll that never loses focus from the intricate melody, be it any shape or form or direction to flatter it along. At 11:59, Gorod sounds like it is creating a hilarious parody of metalcore, as the riffcraft shows the anatomy of that particular trend-genre, but supports it with such sexy and relentless rhythmyzation that badly abused metalcore as Thesis finds a new, magnificent will to live and shine by.

Rating : 9.6 / 10

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