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Showing posts with label NoiseArt Records. Show all posts
Showing posts with label NoiseArt Records. Show all posts

Tuesday, January 31, 2012

Steelwing - Zone of Alienation review

Year : 2012
Genre : Heavy Metal
Label : NoiseArt Records
Origin : Sweden
Rating : 9.2 / 10

Buy it now

Steelwing, fortunately enough, is still into the power metal ethos of the '80s, letting them deliver an album that is all about the charming cheese factor of the intense side of the era. Even better, the Sweden ensemble shows no interest in the most common and overused elements of the style, such as epic determination. The tone of the release, instead, is that of a larger than life-, hilarious sci-fi comic book mood, and it hardly is of accident that the tracks themselves openly reveal a likable, well restrained - ha., ha. - geeky fixation on the '80s entertainment industry. For example, one of the songs is called The Running Man, - see the superb sci-fi movie adaptation and read the book if you did not yet - while another one tributes aerial Anima warfare, and there are other funny references left to be discovered by you, as well.

It would be superwrong on your part if you'd think that the resultant stimuli of this delivery is shaped by everyday average geekdom, thinking that its "mere" love towards its subject matter makes you forgetful of its pessimistically assumable musical shortcomings. That is not the case. Shame on your for being a pessimist, you are wrong again. I dare say that Steelwing brings such an apt level of inventive, relevant power metal musicianship and a readiness to deliver abundant variation on 111% steam power, that they steadily emerge as a smooth operator of-, as a counter-inspirational rival force to the template established by power metal origo Iran Moiden. Or some band with a similar name, help me out here. (I'm the first human to write down "Iran Moiden", what is up with that, people? I'm also the first to write : "Let me help you, Jesus", which saddens me even more. Read on to find out subsequent percepts about this imaginative, gloom-free (thank fucking God for that) power metal delivery.


At heart, Zone of Alienation is classic Thundersteel - \m/ THUNDERST3333-333-333333L \m/ - warfare in a sense that the band never loses its sight from the intensified patterns and forms of the style. While fortunately all the musical power metal chordpassage-platitudes and chord-conflicts ARE present on the release, a masterful sense of what to do (and how to do) with this elements is central defining factorial of this ripe contribution. Do not be superfast with your judgment towards this release, as the spin is not reluctant to unleash comic book cheese cannons on you right after its tasteful atmospheric intro, and I, for one, was hesitant to appreciate the initial cheesebomb into my face. Moments later, my mood was converted without any opportunity given to lament if to reconsider. That is the primal charm of this release, I think. It brings extremely straightforward and rigorously realized musical ideas along the power metal compositional niche, but not for a second it seeks to depress you. I have nothing against the vocals herein, in fact, the singer dude is able to surprise you on quite a few occasions with awesome, pretty much unrealistically high pitched power metal veils, which is nothing short of epic, in my opinion. "Look, I have no balls, but I lack them epicallyyyyyyyyy!"

On another complementary note, I especially am satisfied with the melodic and instrumental content of the outing : the music is - the following is an inept but proper way to put it - "unusually" melodic on this spin, which is a certain trait to behold gratefully. The band, first and foremost, brings what legit, real deal paua metal has to bring at immediate threshold value, and with this act, it is efficient to register as nothing less than its "mere" self right away, but there is a fine catch to behold yet. Regardless how the results are totally satisfactory already, the band members always seek and find a way to put a little something extra to make it more melodic, more entertaining than what the basic fabric offers on its own stable merits. As result of this, the basic fabrics emerge as grateful sonic constructs on their own, having been skillfully and impertinently flattered by playful, yet sober deviations from their primer characteristics.

The LP produces an intimate-, and simultaneously intense sound that exhibits both a hilarious retro vibe and the polished freshness of contemporary production standards, refraining wisely from the raw, bombastic nuclear - oops. - sound other releases choose to cultivate. All in all, Steelwing - Zone of Alienation is a release I can't fathom how you could be disappointed by. One highly recommended, exigent, fun listen for sure.

Rating : 9.2 / 10

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Saturday, November 5, 2011

Gurd - Never Fail review

Year : 2011
Genre : Groove Metal
Label : NoiseArt Records
Origin : Switzerland
Rating : 8.0 / 10

Buy it now

Switzerland's Gurd - which reads "drug" backwards, boy, do I have the Sherlock going on! - unleashes the avid groove metal animal on high octane convince power, and, funnily enough, the lead singer on this debut does a pretty fine job at imitating the vocal style-, even the mere vocal timber of Pantera's Philip Anselmo.

The LP, thank God & Co. and related creators, has a relentless, insatiable urge to hammer you into the nearest wall with the constant sonic rumble it summons and maintains during its eventful 44 minutes, so, if you are looking for the radically intense side of the groove, then this here piece of aural rocket powered bomb is just the one you want to hop on to. The lady sitting on it already is not too hopeless to tolerate, either. Read more to investigate how this release seeks to communicate its massive agenda.


Gurd's debut is heftily produced old school - diffo not a term to wield as weapon in a rant - groove metal with very limited urge present in it to go for the melodic chorus noodle-hooks, and, even when it does that for a minute or two, the disc's propensity to turn commandingly rabid again at any moment without warning, is kept intact in the instant vicinity. This album looks pretty good being in a constant rampage mode, and it is noticeable that the more "gentle" structures of the builds are mainly there to prepare the road for yet another rumble that is about to express its radical character.

There are some key hindrances to this release, as well, and pretty grim ones at that : track number 5, Higher Meaning features some supremely terrible backup vocalist, - backup tormented soul with a coffee addiction and no coffee?? - who obviously managed to escape from the studio people who tried to fill him up on sedation pills. This entity of unknown origins - and let's hope it remains THAT way - truly gives out signals from his throat that immediately register as successive pop-ups of highly illegal space-time rifts that makes the most renowned metalcore plastic hellspawn crumble through all floors to feel embarrassed along the whole way back to toy-hell.

The album also makes some quite strange decisions along the way to smuggle half a smile on your face, like track number 7, called Blame Someone Else : the minor issue herein is not too bad, and it gravitates around the vocal contribution. The Anselmo imitation sometimes sounds relatively forced - nevertheless somewhat efficient - herein. Tame accent issues : imminent. But, on top of that, an authentically "sick", vile mid-tempo build with a vibe that rides on a near-psychotic rant of threats, - Pantera's Walk, anyone? - is interrupted by a super-tepid - is this an oxymoron? - metalcore chorus that diligently sucks mummified camel tits and I don't like it.

It is safe to say though that the album has only minor blemishes to encounter along the way, and even those do not conflict with the oh!, so peaceful institute of instant tolerability. It is worth mentioning that the album wraps things up nice and relevant with a groove metal quasi-instrumental epic clocking in at 6:40. It is a relative rarity to hear a groove metal epic, as far as I know. A tight, angry, authentic contribution fueled by proper love towards the genre. And, coming to think of it, the metalcore action figure lich in track number 5 is more priceless than hideous.

Rating : 8.0 / 10

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