AL-X - Fearless track review

Year : 2016
Genre : Dance Pop
Origin : United States
Official site: > here <

LA based AL-X is an upcoming dance composer/producer with a keen interest in delivering massively melodic dance music along exigent pop sensibilities, purposefully revealing the most flirtatious traditions of the style.

With rhetorics clearly rooted in the school of thought that regards easily approachable, elegantly simplistic progressions much more paramount than experimentive tendencies, the single "Fearless" could be a picture perfect statement of top-form Madonna, as the somber, contemplative moods inherent to said artist, are displayed abundantly in this 3 minute affair.

Never risking maximum efficiency with taking detours that are simply not worth winking towards in this genre, the track knows what it wants to do, and pulls it off eloquently. The melodic arch in the verse is sufficiently indicative that you are about to witness a woman's soul burts into a sonic declaration of - well - b(l)oom (and definitely not doom) - soon, while the chorus backs these promises up with a skillfully researched route taken along the full surface of the suggested structure, now revealed with optimum power.

Doubtless a well sculpted melodic dance track, with a rather abrupt, but logical end to it - so it is not hard to find the will to revisit the piece: a safe recommendation for any and all fans of the style.

Buy link: https://itun.es/us/fQvZeb
Genre:pop/electro/dance 

WWW.ALEXMUSICSITE.COM
Twitter.com/Alexmusictweets
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Youtube.com/thealexmusic521 
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SKiLTRaX - Big Bad Wolf review

Year : 2012
Genre : Trance, Dance with an Ambient demeanor
Label : Independent
Origin : United States
Official site : > - here - <

Connecticut based SKiLTRaX considers himself to be an individual gifted enough in the ways and machinations of music to take and shape and transmit the layers of sound his inner ears hear into eloquent audio reality, though he never felt an urge to try and convey his ideas on an analogue instrument. (At the end of the day, all sounds are digital anyway, monumental tribal drums played by a rampaging Godzilla - included.)

The name of the game is straightforward, bright-brisk trance/dance music with genuine thought and imagination behind it, this time submitting keenly to a laid back, ambient behavior that reigns oh, so thankfully free of everyday average tendencies of stale domination. The prime requirements that are necessary to sport the capacity to contribute a trance declaration into a form which could be a privilege to be immersed into, are all possessed AND given. Read on to know more about the disc.

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Jeff "J. J. Star" Duran - Cursed Since Birth Deluxe Edition review

Year : 2012
Genre : Hip Hop, Dance, Rockabilly, Country, Surf Rock
Label : Independent
Origin : United States
Official site : > - here - <

There is little if any doubt that with the Cursed Since Birth Deluxe Edition mixtape, disc jockey and micwiz' Jeff "J. J. Star" Duran assembled the perfect compilation with hyper-optimized capacity to make family leaders hide their loved ones in the closet out of the sight of this  flamboyant, explicit/hilarious sonic content. The one thing that will strike you first about this installment is the mere length of the contribution. With 22 tracks spread throughout a time period clocking in well above the 60 minute mark, the mixtape will bend you to its deliberately and intriguingly twisted will, giving you no other chance than to let go of all expectations and submit to all of its curious tints and the galore of skillfully placed oddities which serve as the premier appeals of the flow. Read on to know more about this monster-lenght mix tape.

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Andaone - Computer Love review

Year : 2010
Genre : Electronic, Hip Hop, Dance with a touch of Ambient
Label : New Move Records
Origin : United States
Official site : > - here - <

Andaone is both the person and the moniker behind the Computer Love project, a healthily sized quasi-EP that does a steady job of administering straight-to-the-dancefloor pop rhetorics on the surface, but it gets even better than the orthodox 4/4 pummeling. First and foremost, the backdrops are relentlessly chased by eloquently sculpted rap sequences, while the music has a reoccurring tendency to entertain the ears with pretty well developed instrumental sequences of a tamer approach from time to time. It is not an exaggeration to regard relevant parts of the flow as top of the heat hip hop warfare, either. The track called "360" is a competent, brisk rap installment with clever lyrics and a hook that grips the throat of an urbanistic contemporary inner experience you surely will be familiar with if and when you live in any civilized (hah.) city. Read on to know more about Computer Love.

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Miss Myi - All Eyes On Us single review

Year : 2012
Genre : Pop Dance Electronic
Label : Independent
Origin : United States
Official site : > - here - <

Noise Shaft finally has the rabid opportunity to deliver its first single track review, and now it is official that it is none other than the brisk, bouncy debut delivery of Miss Myi, a Dancefloor Diva coming to make your body move in intentionally rhythmic fashion to her sonic declaration All Eyes On Us. My mission is relatively simple herein, as the song wholeheartedly relies on a four chord pop progression that packs the same capacity to carry the charisma of this style from the start line to the finish as it did from the very beginnings of risk free dancefloor entertainment. In other words, the flow of things is not a flow at all, it instead conveys the bouncy pop feel that you can safely showcase the dance moves you are comfortable with to, and that is that for an agenda, which is highly acceptable. Consider : you are armed with a beer and your most silly smile. Read on to find out more about this single.


What I like about this track is its propensity to wage a tender war on your receptors with a set of intentionally bloated-, ridiculously pink pop synths that convey the feeling of gargantuan djent guitars, only, on the opposite extreme of the imaginary sonic-rhetorics spectrum. As suggested, the song does not exhibit any urge to deviate from the four chords pop progression that equates to its relentless core, yet soberly limited ornaments are present to outline the anatomy and charisma of this simplistic, but elegant-efficient gravity well.

While the music is progressing, Miss Myi takes the opportunity to share her extroverted inner sentiments about the beauties and joys of receiving profound public attention in a dancefloor environment while occupying such a ridiculously hot body as hers is, - all this in a singing fashion - and the next logical step, not at all surprisingly, is to make a music video with hot chicks performing hot dance moves. Despite her young age, Miss Myi already has an impressive resume as a professional dancer, and this necessitates the video even more, I feel. You can try going wrong with hot chicks dancing to the camera, but you won't succeed. That stuff always sells, with or without music. Check out Miss Myi's All Eyes On Us single right here.

GyZ at Bandcamp.

If you want, check out my music

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Buy me beer. Read more!