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Showing posts with label chillout. Show all posts
Showing posts with label chillout. Show all posts

Friday, December 29, 2017

Jazzgroupiez - millinaissance EP review

Year : 2017
Genre : Chillout
Label : Independent
Origin : United States
Official site: > - here - <

Jazzgroupiez's millinaissance EP is the result of a solid, well researched genre-consortium that emerges successful at establishing organic connections amidst the reverberating tints of vinyl-based smooth jazz and more modernistic, loop-based fascinations that seek no urge whatsoever to deviate from the super-submissive gravitational pull of extremely mellow chillout. The EP's strongest point lies in its insistence of adhering to a set of very clearly declared stylistic constraints, as these four + one-, brief statements of jazzy/moody breeze all express and saturate a love so deeply felt for the genre, that the listener feels as if the mere flow of time would face a challenge enduring the exhibition of one given idea, such is its notable urge to move on to caress the next one at last.

This relative haste is covertly/efficiently mitigated by a certain technique, which is permeating the effort: the EP has a keen sense of what it wants to "hunt" for in a given melodic statement, therefore it often utilizes the tactic of taking out a chunk of melodic happening/occurrence from an originally more complex pattern/melodic sequence, and it casts various harmonic lights unto the given shape, and gives you apt opportunity to observe and heed the given result with intense scrutiny. But no further agenda is embedded or hidden herein, as really, you are here exactly for the result that you are being shown already. Nothing further to see here, let's move on, shall we? - proposes the disc. Which is a reoccurring gesture that forms the basis of operation of this record. Thus, the brief playtime of these elegant entries makes more and more sense as the listener progresses on with the EP, as the creators save you the "usual hassle" of convincing you that they INDEED have came up with patterns of relevance, since they already know that they did indeed, and, even better: they know you will know and notice that, too, provided you have competent enough ears to come to said-, inevitable conclusions.

In this context, the millinaissance EP is a collection of 4 + 1 interesting experiments that seek to achieve the same effect of super-mellow auditory intrigue via the most fundamental-, and, therefore, most primordial machinations of moody smooth jazz, and the show isn't reaching an end upon completion, as the disc reaches its beginning once more without you noticing, and you find yourself on it once again, with even more curiosity.

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Wednesday, May 3, 2017

Sienná - Q.o.S review

Year : 2017
Genre : Chillout with a Soft Psychedelic tint
Label : Anneis Records 3H50002
Origin : Norway
Official site: > - here - <

Sienná's latest full length effort Q.o.S - the "S" is reverSe - brings deeply contemplative and reverberating pulsations along a chilled demeanor.

Clocking in around the 40 minutes mark, the spin values content quality over content quantity, dressing the experience up into an especially well-varied set of musical rhetorics that give apt opportunities for the artist to paint full fledged-, and quite imaginative visions on.

You'll never know what Sienná is up to, as your host is skilled enough at sound wizardry to maintain you curiosity via exercising the full-value right to administer surprises with considerable frequency, coming to you in the forms of soulfully sculpted-out sonic elements that constantly share the optimums of clear thought and playful-, albeit smartly channeled elegance. Read on to know more. 

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Wednesday, October 9, 2013

Sienná - Japonesque review

Year : 2013
Genre : Classic House with a Chillout tendency
Label : Adón Records
Origin : Japan
Official site : > - here - <

Sienná's Japonesque LP is the ideal choice for a thorough oriental house/chillout session that makes efficient use both of Japonesque - pun not even intended, but willfully absorbed - audio flavors and the timeless pulsation of minimal Chicago house rooted in the early '80s. One thing that falls on your receptors as definite ear candy right away, is the LP's decision to claim and maintain the right to administer radical modal extremities between the confines of colorful entertainment. As result of this ripe tactic, the spin reigns ready to occupy the generic position/pacing of airy house music that is not in a hurry at all, yet no suitable instruments of oriental silence massacre will remain untouched and non-utilized in the fabric of this soulfully realized delivery - including traditional taiko drums that are suitable to bring down all walls around you. Read on to know more about this.

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Saturday, February 9, 2013

Aelo - Blue Music review

Year : 2007
Genre : Ambient Lounge Chillout Club House Synthpop
Label : Independent
Origin : Switzerland
Offiicial site : >-here-<

On occasion, the cover art of a release and the music you hear on the media are correlating to each other with picture perfect accuracy, and Aelo's Blue Music mixtriad is a fluent example on this relatively tame and rare tendency. Aelo, I am almost sure, is a formation that loves the great song "To the Sea" by the fellow Swiss synthpop duo Yello, as pretty much all songs on this modestly and cleverly paced contribution - we are talking about 12 minutes, but 12 eventful minute it is, as I will attempt to make you see and as they will attempt to make you hear - reflect an insatiable urge to convey a transcendental message of the collective Atlantis I personally suspect everyone secretly shares in their soul. You too?? SEE? That's what I'm talking about. That's what THEY make their music about.

Though the opening track is not hesitant nor ashamed to utilize ancient-, yet doubtless timeless drum and bass loops and Flimbo's Quest-grade C64 synths just to make a stand and reveal variations on how to take these brisk and extreme components into the rather literal and cunningly inviting Blue by relying on TRULY top notch melodic hooks, - you know that I'm way too much of a miserable snob to throw around compliments like this easily - the second track is a more mysterious and thrill-filled build with elegant melodic forms and even a piano improvisation session that emerges successful as result of the mere humility it manages to communicate itself with. Richard Clayderman is your Papi and he is playing the piano to make you very very sad. (And he succeeds masterfully.) Read on to know more about this sympathetic EP length contribution.

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