Showing posts with label swing. Show all posts
Showing posts with label swing. Show all posts
Tuesday, June 4, 2013
Ain't that a kick in the head - cover
GyZ covers the song : Ain't that a kick in the head by Dean Martin. Listen in HD please.
Lyrics :
how lucky can one guy be
I kissed her and she kissed me
like the fellow once said,
"ain't that a kick in the head?"
the room was completely black
I hugged her and she hugged back
like a sailor said, quote:
"ain't that a hole in the boat?"
my head keeps spinning
I go to sleep and keep grinning
if this is just the beginning
my life is gonna be beautiful
got sunshine enough to spread
it's just like the fellow said
tell me quick, ain't love a kick in the head?
like the fellow once said,
"ain't that a kick in the head?"
like the sailor said, quote:
"ain't that a hole in the boat?"
my head keeps spinning
I go to sleep and keep grinning
if this is just the beginning
my life is gonna be beautiful
she's telling me we'll be wed
she's picked out a king size bed
I couldn't feel any better
or I'd be sick
tell me quick, boy ain't that a kick?
tell me quick, ain't love a kick in the head?
GyZ at Bandcamp.
If you want, check out my music
and / or
Buy me beer. Read more!
Monday, June 25, 2012
Douche Ambiance
GyZ gives you the song : Douche Ambiance. Listen in HD please.
Lyrics :
take a look at the sky
don't hate
three, two, one : hallucinate
you are doing so fine
when you show me what you find
come on and seek deep inside
tell me what you find
a zeppelin
what a douchebag
a douchebag zeppelin
with the douchebag zeppelin up above
we've got nothing to worry about
starshine, we'll be on board tonight
we are so on board tonight
dancing cheek to cheek
all through the life
come on and seek deep inside
tell me what you find
a zeppelin
what a douchebag
a douchebag zeppelin
we do give in
on board the douchebag zeppelin
starshine we are so on board tonight
Buy this and more at :
http://gyzmusic.bandcamp.com
http://noiseshaft.blogspot.com Read more!
Saturday, May 19, 2012
Diablo Swing Orchestra - Pandora's Piñata review
Year : 2012
Genre : avant-garde, experimental, jazz, tropical, metal, swing, opera
Label : Candlelight Records
Origin : Sweden
Rating : 6.5 / 10
Buy it now
Introductory note : this review was written by a latex gimp who had no information and related awareness of the existence of the Devil Swing Orchestra whatsoever, and, as such, this here criticism below of said ensemble's latest delivery primarily is constructed on the highly false assumption that DSO is a commercially engineered band that just popped into existence under the Sun to bank in on current experimental trends, which obviously is not the case at all, at all. While the review remains in the form it was originally shaped into as by he gimp, the reading of the comments to the article is highly recommended for the full experience.
SPECIAL!! Discount is applied to a wide selection of tools you can hit the gimp with! SPECIAL!!
With its latest delivery to date, Diablo Swing Orchestra emerges to claim a piece of the cake that is conceptualized and grandiosely realized by Canada's Unexpect, ALAS!, the tremendous intent behind this particular record represents a fuel tank of relevantly tamer full capacity than that of its focal inspirator. Do you think that it is unfair to compare this disc to Unexpect's Fables of a Sleepless Empire? Then kindly, take a look at the track titles, I'm begging you : Unexpect : Unsolved Ideas of a Distorted Guest. Diablo Swing Orchestra : The Exit Strategy of a Wrecking Ball. Cool, huh? Mine will be : The Parallel Lamentations of an Entangled Gas Giant. Look for it here, later on.
DSO's latest is a commercially engineered market-reaction to linked Canadian release in the sense that it shows mixed results - from stellar to tepid agony - at bringing you the rampant consistency that is necessarily "expectable", given its experimental, rabid opening tendencies. Do not judge a book by its cover. The fabric of this full length shows quite a few spots which on it loses all origin of steam and evident elegance it had earlier, and, while I realize that it is not a mandatory expectation to be steamrolled all the way through, I personally still tend to think that this kind of music looks best when it does that, anyway. Can't handle it anymore? Give it a thorough rest and come back with a fresh set of ears to be blown away again. Pretty pretty pretty please with strawberry syrup and chocolate confetti on top, don't try to serve me out with ball-lacking headvoice man-singing about your stock-emotional torments after a superb song just to deviate from a much more relevant narrative ethos, I'm begging you. Notice : this temper of music, when it reigns in its relentless premiere juggernaught-form, is only one story under technical death metal in its aggression, and not at all under it when scrutinized from the aspect of super-complexity.
As such, without further introductory sentiments I'm going to tell you right away that I think this release, with a set of mildly but steadily distorted ambitions-, a non-proper concept of its own functions and some non-tasteful genre incorporation - more on those in a second - weighs in as a tolerable disappointment. Not that there is any other kind of disappointment, in the long run. Read on to find out more about this legendarily overdirected and overambitious album that wants to be twice as relevant as it ever had the promise to.
Read more!
Genre : avant-garde, experimental, jazz, tropical, metal, swing, opera
Label : Candlelight Records
Origin : Sweden
Rating : 6.5 / 10
Buy it now
Introductory note : this review was written by a latex gimp who had no information and related awareness of the existence of the Devil Swing Orchestra whatsoever, and, as such, this here criticism below of said ensemble's latest delivery primarily is constructed on the highly false assumption that DSO is a commercially engineered band that just popped into existence under the Sun to bank in on current experimental trends, which obviously is not the case at all, at all. While the review remains in the form it was originally shaped into as by he gimp, the reading of the comments to the article is highly recommended for the full experience.
SPECIAL!! Discount is applied to a wide selection of tools you can hit the gimp with! SPECIAL!!
With its latest delivery to date, Diablo Swing Orchestra emerges to claim a piece of the cake that is conceptualized and grandiosely realized by Canada's Unexpect, ALAS!, the tremendous intent behind this particular record represents a fuel tank of relevantly tamer full capacity than that of its focal inspirator. Do you think that it is unfair to compare this disc to Unexpect's Fables of a Sleepless Empire? Then kindly, take a look at the track titles, I'm begging you : Unexpect : Unsolved Ideas of a Distorted Guest. Diablo Swing Orchestra : The Exit Strategy of a Wrecking Ball. Cool, huh? Mine will be : The Parallel Lamentations of an Entangled Gas Giant. Look for it here, later on.
DSO's latest is a commercially engineered market-reaction to linked Canadian release in the sense that it shows mixed results - from stellar to tepid agony - at bringing you the rampant consistency that is necessarily "expectable", given its experimental, rabid opening tendencies. Do not judge a book by its cover. The fabric of this full length shows quite a few spots which on it loses all origin of steam and evident elegance it had earlier, and, while I realize that it is not a mandatory expectation to be steamrolled all the way through, I personally still tend to think that this kind of music looks best when it does that, anyway. Can't handle it anymore? Give it a thorough rest and come back with a fresh set of ears to be blown away again. Pretty pretty pretty please with strawberry syrup and chocolate confetti on top, don't try to serve me out with ball-lacking headvoice man-singing about your stock-emotional torments after a superb song just to deviate from a much more relevant narrative ethos, I'm begging you. Notice : this temper of music, when it reigns in its relentless premiere juggernaught-form, is only one story under technical death metal in its aggression, and not at all under it when scrutinized from the aspect of super-complexity.
As such, without further introductory sentiments I'm going to tell you right away that I think this release, with a set of mildly but steadily distorted ambitions-, a non-proper concept of its own functions and some non-tasteful genre incorporation - more on those in a second - weighs in as a tolerable disappointment. Not that there is any other kind of disappointment, in the long run. Read on to find out more about this legendarily overdirected and overambitious album that wants to be twice as relevant as it ever had the promise to.
Read more!
Subscribe to:
Posts (Atom)