Year : 2012Genre : Traditional, Heavy Metal
Label : Independent
Origin : Germany
Official site : >- here - <
Meroe brings to you a deeply traditional and massively positivistic form of heavy metal, an incarnation of the genre that does not even attempt to escape the clutches/hug of the most vintage thematic mood dispositions the style always seemed to embrace, and does not mind doing so even today. The album's title, in my opinion, is misleading, and, perhaps playfully/deliberately so, because the verdict it conveys projects an image of music with a rebellious stance to it, wouldn't you agree? Based on the tastefully minimalistic yet rigorous cover art, one is free to assume sonic goodies on a Kreator thrash metal register of high capacity civil unrest, but be assured that the disc gives THOSE lamentations a rest, instead. The content is highly optimistic in its nature, and a large chunk of its lyrical rhetorics revolves around the simple most intriguing constructs men can approach, and those indeed are women. Don't be misled again : Meroe, as a band, as hive entity, decided to stay away from the approach openly - hah, hah. - cultivated by acts like Steel Panther, an American media-hack band that plays absolutely legitimate glam metal, but features lyrics to it that makes all dads hide their daughters in the closet in terror.
It is not at all so with Germany's Meroe. The band is admirable in the sense that it submits to the evident and obligatory amazement of The Woman, alas!, as a man, exhibiting your evident and obligatory amazement towards The Woman is the Ultimate Technique you will NOT get The Woman by, but, the record nevertheless emerges as an idealistically channeled endeavor courting the OH!, so wishful and optimistic denial of the aforementioned notion. Read on to know more about this album.
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