Genre : Industrial Dark Rock
Label : Cooking Vinyl, Hell etc.
Origin : United States
Rating : 9.0 / 10
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The new Marilyn Manson album is a visceral cultivation of infectious industrial rock passages pummeling through you with a brisk, constant 4/4 coated into myriad tints of inventive darkness. There are at least two essential ingredients - among others, logically - that I managed to pick up on this release, both being of primordial significance of how and why this album works with so fluent effortlessness. First and foremost, The Marilyn Manson, thank God & Co., already knows perfectly well that it is not at all mandatory nor necessary to deliver sounds all over the real estate of silence like there is no tomorrow, so he handles the institute of the sonic gap with considerable skill and a valiantly spirited will. The other sum of clever things is the differing intensity-extremes of the disc. The sheer - quite literal - volume-arcs of the sonic mass Manson tends to make his way through a given composition with.
The songs seek and find relevant pleasure by fooling you on a constant basis, first delivering fragile, elegant and dainty textures, - not too much of overkills directed towards Manson's yo ding dong man ding dong ding dong yo narrative now, though a more tolerable variant of said punishment rhetorics IS present - and they often explode into highly efficient sonic intimidation-sessions that are openly out there to facilitate a radical effect on your awareness. Manson says he implemented sounds that only dogs can hear, but make a human being kind of nauseous. I believe him. The consorting success rate is pretty radical, thank Manson and God for that, as result of the deeply differing volumetric extremes and the precisely planned gap-strategies the artist is employing. In other words : the intense parts will bitchslap you on spot with galvazined gloves, and this always is something a snob has to be grateful for. Guys, let's talk about the music.
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