Genre : Classic Rock with a Psychedelic, Doom and Grunge tintLabel : Silver Maple Kill Records
Origin : United State
Release Date : 2013
Official site : > - here - <
You can't simultaneously gain knowledge of a track called "Aliens and Beer" and remain disinterested of it, and US based Fade to Black is doing all and THEN some in their considerable classic/doom/grunge rock charisma power to emphasize this point. The song is a clear initiatory representation of what this veteran formation is all about at first face value - massively guitar centered mid-range axe warfare that borders - JUST borders - on punk in its sonic volumetrics, backed up by a mean, and clearly audible bass presence and adept drum molestation skills that give any decent dope fiend drumma' a run for the next fix.
Luckily enough, the band delivers flamboyant variation in the context of intensity and general musical behavior. The ensemble has a legitimate punch and heft to it whenever they feel like showing off the obligatory granite balls, and they emerge competent/clear/thoughtful throughout the tamer compositions - "The Note", for example -, as well. Unhidden intentions are on persistent display that seek to compliment a psychedelic overtone, armed with an apt understanding of the related criteria systems. This fascination comes to you via a diverse set of various beneficiary and easily accessible iterations, too. The one you hear in "Aliens and Beer" is the Timothy Learian psyhedelia with a tint of doom, while the one you will find in "The Note" is more playful-, fanciful, showing reminiscences with Pink Floyd and a restless variant of Beatles, even. Nah, I'm only kidding with one of the references. Or am I? Read on to know more about the record.
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