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Showing posts with label acoustic. Show all posts
Showing posts with label acoustic. Show all posts
Wednesday, December 25, 2013
Pineal Gland Optics cover - Acoustic Meshuggah
An acoustic cover of the Meshuggah song "Pineal Gland Optics".
Merry Christmas, All!
Lyrics :
how come I shiver, hurt and bleed,
if in dreams I cannot truly feel
who would dare say, who would claim
this hallucination isn't real
synaptical glitch looking glass
so enticing, real and free of lies
prodigious, omnifarious
it nourishes, it feeds my starving eyes
artificial the catalyst, organic its progeny
voracious spectral offspring - so sweet in its hunger
unbound this new vision, optical regenesis
threatening, so complete in beautiful deformity
these authorative visions order my collective senses,
my questioning, doubtful, rigid self to kneel
a Judas syndrome in effect - former self the deceiver
its denial the wretched kiss that kept this in disguise
cast off - the conceiling veil, the rational cloak of doubt
torn off - the restraints, the blinded's shackles
burned away - the agony, the fear, the grief
a new set of eyes cleansed by a new belief
GyZ at Bandcamp.
If you want, check out my music
and / or
Buy me beer. Read more!
Labels:
acoustic,
cover,
gyz,
Meshuggah,
metal,
Music,
Pineal Gland Optics,
Pineal Gland Optics cover
Tuesday, December 17, 2013
Ted Brown - An Unwide Road review
Year : 2013
Genre : Massively Acoustic Folk/Soft Rock
Official site : > - here - <
Origin : United States
Playfully morose and relentlessly self-reflective, LA based Ted Brown brings you the music that casts orthodoxly behaved-, yet inventively spirited lights on sonic domains showing equal amount of polite compatibility with traveling sessions, stove-based private socialization and public bonfire events. What's not to like out of the three? At surface level inspection, the disc dares to summon and present extremely wide volumetrics in its generic behavior, mapping out all key segments of intensity of the timeless acoustic guitar charms - although, as you will see and hear, decisive favor is observable in the context of ultra-mellow "me and my guitar will make you FEEL!"-statements, the bulk of things to come on this tastefully paced and soberly presented full length.
Brown, luckily enough, does not satisfy easily via simply throwing guitar lesson 101 chords around, and, oftentimes manages to surprise/entertain the ears with thoughtful and muscular harmonic structures that invite all the superb anatomies known to women and men to revisit their inner images of what is possible with the utilization of "mere" moods. These moments truly are magical, and are showcased primarily in the pre-climax segments of track number 4, "Blue and Grey" : a perfect example of Brown's adept inner image of chords and how to throw those around like they mean a thing OR two. Because they do, you know. Listen to this song from 1:15: it is like a badass Nirvana song, now arranged to an odd retirement home intensity, for which it submits for entertainment. Read on to know more about the disc.
Read more!
Genre : Massively Acoustic Folk/Soft Rock
Official site : > - here - <
Origin : United States
Playfully morose and relentlessly self-reflective, LA based Ted Brown brings you the music that casts orthodoxly behaved-, yet inventively spirited lights on sonic domains showing equal amount of polite compatibility with traveling sessions, stove-based private socialization and public bonfire events. What's not to like out of the three? At surface level inspection, the disc dares to summon and present extremely wide volumetrics in its generic behavior, mapping out all key segments of intensity of the timeless acoustic guitar charms - although, as you will see and hear, decisive favor is observable in the context of ultra-mellow "me and my guitar will make you FEEL!"-statements, the bulk of things to come on this tastefully paced and soberly presented full length.
Brown, luckily enough, does not satisfy easily via simply throwing guitar lesson 101 chords around, and, oftentimes manages to surprise/entertain the ears with thoughtful and muscular harmonic structures that invite all the superb anatomies known to women and men to revisit their inner images of what is possible with the utilization of "mere" moods. These moments truly are magical, and are showcased primarily in the pre-climax segments of track number 4, "Blue and Grey" : a perfect example of Brown's adept inner image of chords and how to throw those around like they mean a thing OR two. Because they do, you know. Listen to this song from 1:15: it is like a badass Nirvana song, now arranged to an odd retirement home intensity, for which it submits for entertainment. Read on to know more about the disc.
Read more!
Labels:
2013,
acoustic,
An Unwide Road,
folk,
review,
Ted Brown,
United States
Friday, May 31, 2013
Meshuggah - Do Not Look Down acoustic cover
This is an acoustic cover of the Meshuggah song "Do Not Look Down".
Lyrics :
Strive, strive, surmount the obstacles
Become the essence of your goals
Hereditary dream
Pray that you may attain that destiny
Fall into the coveted line
Where life is but a theme
Of pretense in lustrous guise
Claims and values
Charts of means and status
Plaques to show your strife
Do your neighbour clones approve
Picture perfect illustration
Imitation of life
Where the path is evened out
All obstructions removed
Great viable citizen
Are you happy now?
Then praise your God and bow
Shimmering surface
The gleam of blinding lies
Become the product
The thing you so desire
To what length would you go to reach your goals?
What mantra will you use to justify your means?
Who will you betray to secure your dream?
What sins will you commit to avoid your sins be seen?
Do not look down
Do not look down
Or the abysmal beast of non-conformity
Might stare some unpleasant truth
Into your desensitized mind
Shimmering surface
The gleam of blinding lies
Become the product
The thing you so desire
GyZ at Bandcamp.
If you want, check out my music
and / or
Buy me beer. Read more!
Labels:
acoustic,
cover,
do not look down,
Meshuggah
Monday, April 29, 2013
We Steal Flyers - Sidecars & Sideshows review
Genre : Acoustic Singer/Songwriter
Label : Independent
Origin : United Kingdom
Official site : > - here - <
We Steal Flyers is a massively acoustic country duo with thorough touring experience under their belt, as the cohesive unit plays 250 shows a year, and is after an extensive US based sonic campaign as you read this review.
The music is gentle, well suited to ease your craving for orthodox country patterns and fascinations, and is resonated with true love towards the style with not many - if any - unwanted surprises to litter the crystal clear agenda. Boundaries are respected throughout, and the reoccurring relative lack of percussive instruments - there are tasteful exceptions - certainly gives an especially intimate tint to the overall listening experience. Read on to know more about this.
Read more!
Labels:
2013,
acoustic,
acoustic singer,
acoustic songwriter,
review,
United Kingdom
Thursday, January 3, 2013
Bud Buckley/BudaRest - FOUR: Crying Out Loud review
Genre : Acoustic Soft Rock / Bonfire
Label : BuBu Records, META-MUSIC
Origin : United States
Official site : > - here - <
Bud Buckley and Jax Resto are BudaRest, a multitalented songwriting/performing duo transplanted from New York to southwest Florida. Jax has been a performer all of her life from her days in school to her college years majoring in dance performance at Queens College. This led to her years with Ringling Brothers Circus as a dancer and as an aerialist. Following her circus career, Jax became a wife and mother, a rock drummer, a song writer and a novelist. She is still very active in all of these roles. Her band Kore played at the NY Mamapalooza festival in 2010. A Year later she formed Female Band Invasaion (FBI)
Bud performed all his life in a quite different arena. He was a multi award winning journalist/PR director with the teachers’ union in New York while at the same time teaching. The writing kept him in the eye of teachers across the nation and the teaching put him on stage everyday for a tough and demanding audience. They demanded attention and they demanded he play his guitar and sing while teaching all the elementary school subjects. Bud eventually studied fingerstyle guitar with well known Hudson Valley guitarist, singer songwriter and music educator Helen Avakian. He also studied voice with successful pop star Leslie Ritter of the Amy and Leslie duo. He as recorded four CDs, three produced by award winning songwriter Helen Avakian in Woodstock, NY with well seasoned studio pros like Scott Petito, Deni Bonet, Ross Rice, Dan Hickey and others. He is consistently highly rated by Reverbnation and is their number one singer/songwriter in all of western Florida.
Together, Jax and Bud form the songwriting/recording team of BudaRest, and have discovered that a pace of a song a week is something they can do and have done. At that pace, however, they have to slow down and save time for arranging and recording. A full collection of songs is in the making for release later this year. And probably every year.
Many of these songs will find their way into eBook novels penned by Jax. Music video production is also high on their project schedule.
Read on to gain an insight of a set of personal percepts regarding the disc, or don't.
Read more!
Friday, June 29, 2012
Chords of Truth - Reflections of Reality EP review
Genre : Psychedelic Acoustic
Label : Independent
Origin : United States
Official site : > - here - <
Buy it now
Jason Garriotte is the premiere mastermind behind the Chords of Truth enterprise, a psychedelic acoustic project immensely-, smartly-, and relentlessly focused on existentialist observations of all possible reality surfaces, fixated primarily on the one you will have the chance to absorb the project's debut EP through.
The delivery does not only claim that it happens to be an acoustic (guitar) project, it equally takes the liberty to rely solely on the combination of charisma contained in the organic connection between the timeless ringing of the acoustic guitar and between the sung human words. "Angie, 'zat Sunday Mornin'???" Think about a type of exigent bonfire music, which is primordially psychedelic in its rhetorical nature, and, in its musical character. Indeed, the EP reeks the music a prime Timothy Leary is probably ultra-happy with if and when he hears it along a random cosmos, - not to say that he is anything less or else than that in the process, of course - and the inherent intention, the key agenda of the package is to tamely encourage you to explore your inner and outer surroundings with honesty, while the disc also contains the personal model of reality Jason Garriotte is currently cultivating. Read on to find out more about the disc.
Read more!
Labels:
2012,
acoustic,
psychedelic,
psychedelic acoustic,
review
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