Vonairs - Fucamo single review

Year : 2013
Genre : House with a Hardstyle taste
Origin : Sweden
Official site : > - here - <

Stockholm's Vonairs is imminent to release a full scale sonic declaration of subwooffer-doom through an illegal space-time rift opening near you on the probable reality surface, and the ensemble is about to stimulate interest in the upcoming attraction via releasing a single from the impending full length. Read on to know more about this track, or, even better, listen to it yourself while observing some related worded thoughts about it, right after the experience is freshly soaked in.

Read more!

Gotham Heights - Wake Up, Now Go To Sleep single review

Year : 2013
Genre : Hip Hop
Label : SpaceLAB Recordings
Origin : United States
Official site : > - here - <

Gotham Heights is coming through a space-time rift near you with a full fledged long play from which the group releases the first single in an attempt to stimulate interest. Notice this : since you are reading this, they are succeeding masterfully. Following traditional standards of attentiveness, Gotham Heights delivers the single not through one, but in three distinctive formats, even including an acapella version with "just" the rapped lyrical content in it. If this is not an invitation for a Waltz towards the upcoming producer, then I do not know what is.

I have decided to include the official press release that have came with this bundle, after which I will share my brief personal sentiments with you regarding the track. Stay tuned, and read on to know more about this introductory single.

Read more!

Hans Inglish - Dance Druggie track review

Year : 2013
Genre : Dance with a Synthpop affection
Label : Independent
Origin : United States
Where to check : > - here - <

New York based unsigned disco wiz' Hans Inglish is looking to ignite all dancefloors near you and then some with his fresh dance/synthpop declaration "Dance Druggie". You might wonder if is it the proper time to hide your daughter in the closet with her assets attached, and it really is dependent on the generic awareness level and mod(a)(e)l disposition of said entity.

Hans English starts out the fray with a tastily bloated Detroit techno synth (a classic timber!!) which is flattered swiftly by good old 4/4 pummeling - the hook willingly submits to orthodox dancefloor/bounce pop traditions by relying on an elegant, simplistic chord progression that serves its efficient multi-purpose functionality both as track culmination and verse structure. The focal idea herein seems/sounds to be to make you acquainted enough with the lyrics so you can sing along while moving your body in an intentionally rhythmic fashion, - or, if you just have a seizure, sorry about that - and it really is a matter of your personal level of current sophistication - AND the amount and types of stimuli your system is operating with at the present moment - if you submit to the music, nevertheless the song doubtless is compatible with the timeless act of scanning for a gal who is a m4n14c on the floor and is not afraid to show it. Beware though, because you might find her, and pray for someone or at least for something that it is not JUST your imagination. (Yet.)

Check out the video with lyrics embedded in a nicely designed Flash animation format : > - here - <

GyZ at Bandcamp.

If you want, check out my music

and / or

Buy me beer. Read more!

Miss Myi - All Eyes On Us single review

Year : 2012
Genre : Pop Dance Electronic
Label : Independent
Origin : United States
Official site : > - here - <

Noise Shaft finally has the rabid opportunity to deliver its first single track review, and now it is official that it is none other than the brisk, bouncy debut delivery of Miss Myi, a Dancefloor Diva coming to make your body move in intentionally rhythmic fashion to her sonic declaration All Eyes On Us. My mission is relatively simple herein, as the song wholeheartedly relies on a four chord pop progression that packs the same capacity to carry the charisma of this style from the start line to the finish as it did from the very beginnings of risk free dancefloor entertainment. In other words, the flow of things is not a flow at all, it instead conveys the bouncy pop feel that you can safely showcase the dance moves you are comfortable with to, and that is that for an agenda, which is highly acceptable. Consider : you are armed with a beer and your most silly smile. Read on to find out more about this single.


What I like about this track is its propensity to wage a tender war on your receptors with a set of intentionally bloated-, ridiculously pink pop synths that convey the feeling of gargantuan djent guitars, only, on the opposite extreme of the imaginary sonic-rhetorics spectrum. As suggested, the song does not exhibit any urge to deviate from the four chords pop progression that equates to its relentless core, yet soberly limited ornaments are present to outline the anatomy and charisma of this simplistic, but elegant-efficient gravity well.

While the music is progressing, Miss Myi takes the opportunity to share her extroverted inner sentiments about the beauties and joys of receiving profound public attention in a dancefloor environment while occupying such a ridiculously hot body as hers is, - all this in a singing fashion - and the next logical step, not at all surprisingly, is to make a music video with hot chicks performing hot dance moves. Despite her young age, Miss Myi already has an impressive resume as a professional dancer, and this necessitates the video even more, I feel. You can try going wrong with hot chicks dancing to the camera, but you won't succeed. That stuff always sells, with or without music. Check out Miss Myi's All Eyes On Us single right here.

GyZ at Bandcamp.

If you want, check out my music

and / or

Buy me beer. Read more!