Tripp Denom - The Funktional Addict EP review

Year : 2017
Genre : Stoner Indie, Hip Hop
Label : Independent
Origin : United States
Official site: > - here - <

Buy it now

San Francisco-based Tripp Denom cultivates a diverse set of culturally popular addictions, combined with the relentless urge to create hip hop songs about the numerous peak moments engineered and harvested during his favorite pastimes and most successful hedonistic exploits.

Indeed, an ultra-hedonistic approach to life is clearly observable: Tripp Denom is a passionate user of ganja, cars, and female flesh, so pretty much each and every song is a clear declaration towards the simple realization of some-, or all degree of this layered truth. There are two types of moods on the EP: throughout the first narrative ethos, you will be stoned like a petrified ancient vamp motherfucker, and the music won't relent, it will organize the remnants of your free will into complete submission, using only tender but firm tentacles to accomplish this goal, and it will encompass you into an inescapeable purple haze - oh Hai Jimmy, 'the fuck are you doing here! - then the plot - and your magic - thickens, as a woman soars into your view in full combat readiness, revealing her commodities, and marketing the promise of metaphysical unification. Each part is free to grab, very literally, and yes, it has a soul, but today there is no need to convince her of your capabilities as a man of societal stature - she already knows that there is an ecosystem working in the background, - that is why she is here, you idiot - and she came to put the cherry on its top. All problems solved. So, in these songs of moody haze, you will combat to the death with voluptuous female ass and epic tits of evolutionary profitability drawn directly from the mere flesh of the cosmos, and you will surely suffer a barrage of nervous breakdowns if you are a gender-politician to any degree. This disc is sexist like fuck, and that is the good thing about it, naturally. Read on to know more.

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Mason Way - Social Media track review

Year : 2016
Genre : Hip hop
Label : Independent
Origin : United States
Where to check the song out: > - here - <

Relentless-, hilarious hip hop notability Mason Way is back with a flamboyant social criticism of social media. The artist in question certainly was a staple amidst these pages in the previous periods - use the TACSF function on the top of the page to look up his stuff -  and these days he started to develop a keen sensation towards massively ornamentic soundscapes, now spiced further up via quite relevant vocal - as in singing - components.

The rapping itself has tremendous amounts of charm, as the narrator inherently declares himself as an autonomous individual who allegedly is not affected by the casual-, virtually infinite turmoil pertinent to social media, whereas ironically occupies a position from which all the emotional content he feels towards a certain lady, ARE, in fact, the reflections and results of what he experiences amidst the boundaries of these social media interactions. One of my favorie bits is when he says: "these tactics won't work, bitch, I'm Mason Way." This is the ultimate declaration of independence, or, at least, a valiant attempt at it. Whether this irony is conscious or accidental, is up to the listener to decide, which immeditaley makes this track worthy of serious attention.

Check out the piece here.

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REP - Street Walkers track review

Year : 2016
Genre : Hip Hop, Christian Hip Hop
Label : Independent
Origin : United States
Where to chech the song out: > -  here - <

REP is back not with a vengeance, but, with a fresh review request concentrating on another track of the Co-Laborations LP.

Street Walkers is an attentively sculpted, massively mid-tempo hip hop track, pinpointing lurking danger and ambiguous remnants of hopes at every corner. The central musical attraction of the song is a nice pairment of a highly retroid slot-machine riff, - the melody itself has a luciferian Last Ninja vibe - and this motive is quick to demand for itself gargantuan support by a duo of mobsters in the form of a powerful, sneaky bass, and a clever drum passage that admires the musculature of said bass, inventively pinpointing the key points in its relentless anatomy.

The rapping is good, too, as REP knows that it is best if he is "just" a REPorter, staying away from the framing of brisk morality. Instead, he is revealing percepts and reocurring thoughts/tendencies that are amidst the pertinent components of the observed daily life of a prostitute, as you do not have to be one to know one - the lyrics reflect the position of a man who feels empathy for the prostitute, yet is in the process of seeking to decide whether the woman would prefer to be "saved" from this lifestyle at all.

What I like about this track, is how the mood of the music reflects this timeless concealed dilemma, conveying the percept that everything you think about the situation, might be utterly wrong - nevertheless both the music and the prostitute invites you to come and find out.

Check out the song here.

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REP - Escape Room track review

Year : 2016
Genre : Hip Hop, Christian Hip Hop, Soul
Label : Independent
Origin : United States
Where to check the song out: > - here - <

Escape Room is an entry found on the latest longplay delivered by Virginia-based hip hop artist REP. Your host is not at all reluctant to express a clear and unconditional devotion towards Jesus, and Escape Room is one of those songs that emerge successful at painting elegant allegories about the state a soul MIGHT find itself in, if subjected to existence without a palpable pointer to grasp unto. The Escape Room, of course, is your body, in this metaphor. But let's not spoil the challenge and the fun of finding the key to it.

The music is quite interesting, and here is why: the bulk of the piece is an almost fragile-, though well researched sonic environment, composed mainly of bass lines that paint out the harmonic domain with inventive strokes of sounds flirting with the timing, and REP seems and sounds to be almost conscious to refrain from the utilization of such casual super-orhodoxies like a snare drum, hi-hats, or a crash cymbal. The song simply evades these elements, and, hilariously, you spend the whole time listening if they will ever show up - and there is no void to be felt upon realizing that they were NOT invited this time.

The song manages to capture a floaty feeling, and finds efficient methods at maximizing its potential with a strictly limited set of instruments and sounds utilized. The piece is a collab, by the way, and the talented singer Mikaela Juday brings you clear, soulful lead singing that is precise and brisk: there is zero trace of autotune.The chorus is awesome in character, and Mikaela knows this, too - but the music fails to realize in the background that SOME elements are yet to be brought to the table to court the lead singer as she declares the main gravitational pull of the entry. Mikaela bursts into full bloom mode in the chorus, but the music fails to recognize it. A pity.

Luckily, REP steps in to deliver a decent block of well-tempoed rapping without offending anyone. A talented artist with true musical vision, and a particularly strong sense of how to validate limitation in the context of diversity of sound. Sometimes less is more. And sometimes it is not.

Check out the song here:
REP - Escape Room

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Supreme General - The Supremacy EP review

Year : 2011
Genre : Hip Hop
Label : Independent
Origin : United States
Official site : > - here - <

This review starts out with a quotation snippet taken from the biography section of the official site.

"The Supreme General describes his work as “aggressively intelligent hood music.” What distinguishes him from other contemporary rap artists is his intensity, virility and uncompromising bravado. “I’m a never give yourself an excuse to lose kind of guy,” he proclaims, “I represent the anti-sensitive.” His ultimate goal is for The Supreme General to be synonymous with the rap genre, much like Mohammed Ali is synonymous with boxing. Closer to home, he hopes to shatter stereotypes and to serve as living proof that “black men from the ‘hood are strong and intelligent.”

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Mason Way & Blacky Kev - R.P.M. The Mixtape review

Year : 2014
Genre : Hip Hop 
Origin : United States
Official site : > - here - <

Relentlessly productive Mason Way and his prime collaborator Blacky Kev hardly bid farewell to two consecutive months without delivering a fresh mixtape in the process, as you surely must have noticed in case you frequent the hip hop segment of these pages. The duo is notorious of exhibiting an insatiable interest in all social dynamics that are relatable in some or all ways to the due courting of women: while this particular trademark theme-selection is still a fervent/virulent component on this freshest to date mixtape, a definite shift towards a more rigorously paced rapping similarly is observable. This fresh development reveals 12 entries delivered along a healthy EP length of 32 minutes. In the context of the mere backdrops, these contributions exhibit less movement and experimentive tendencies then you'd normally expect to hear from the duo and their current featurettes, yet a more orthodox display of laid back flow and word pacing showcases a surprising level of command the ensemble enjoys when it comes to standard 4/4 pulsations. Once the creative juices - pun might be very well intended - start flowing, it is hard to stop, and why would you. The exemplary productivity of the duo is something you want to keep an eye on - just make sure you'll have something to wipe the slime off with afterwards.

Check out "teh" new mixtape here.

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Mason Way & Blacky Kev - Elite Swag Part 2 review

Year : 2014
Genre : Hip Hop
Label : Independent
Origin : United States
Where to check the album out : > - here - <

The ultra-productive Mason Way remains eager and relentless at creating then heftily propagating narrative expressions about skirt-chasing in urbanistic settings. The Elite Swag Part 2 mixtape is a richly detailed monster length, a rampant synthpop/hip hop collaboration highlighted by the sonic machinations of talented guest-notability Black Kev, whose spicy soundbeds and superb sense of rhythmic non-orthodoxies compliment the playful flow of Mason Way with the exact stylistic flamboyance both required and suitable to guarantee an eventful mid-tempo experience that assumes you to be a serious hip hop aficionado and not just a regular mancunt who is molested only by midgets while not even being videotaped. Read on to know more about this.

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6 Sense - The Anthology review

Year : 2006 to present days
Genre : Hip Hop
Label : Independent
Origin : United States
Where to check out album  : > - here - <

This review starts out with a verbatim quotation snippet sent by the artist with the review order.

"Artist bio:6 Sense born Darrell Witcher on January 20th, 1990 in Roanoke, Va. He found his passion for music in the 8th grade and began releasing songs by the time he was in high school. 6 Sense has released numerous projects with past groups (The Crusades and The Hard Hittaz) and in 2010 released his first published solo project ''11:40 am.'' Following ''11:40 am'' 6 Sense released ''21 Years Later'' his second solo project & ''Where Art Thou Competition'' collaboration with fellow Outer Circle artist Young S.P.I.T. 6 Sense released his 3rd solo album "21 & UP" In January of 2013, and "Where Art Thou Competition: Reloaded" with Young S.P.I.T. In April of 2013. Releasing his most recent project just last week which is a 6 song EP titled "Consistency". 6 Sense has released 3 projects in a seven month span. You can download all of these projects on iTunes, and numerous online retailers. Now 6 Sense has plans to continue performing all around Virginia aswell as outside of Virginia."

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Ain't No Other - Never Really Broke review

Year : 2014
Genre : Hip Hop with a '80s Darkpop Tint
Origin : United States

This review starts out with a verbatim quotation of the mini-biography this review order came with.

"A.N.O. is an underground artist from Virginia that released his first project in the winter of 1998. A.N.O. has always stuck to the creed of original music to compliment his light shallow voice bringing his style to life. His career followed a long collection of solo and group projects which from 2006 to recent have been published. He took a 4 year hiatus after his 2008 release titled "Yellow". Experimenting in various genres he released various projects under the stage name of Leon Coles. Returning to the scene again under Ain't No Other with his release "The Album I Threw Away" in 2012, A.N.O. spent the next couple of years touring with The Outer Circle until the 2014 release "Never Really Broke".

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a Big Hit Buda listening session

Year : 2014
Genre : Hip Hop
Label : Independent
Origin : United States

Hip hop prospect Big Hit Buda is about to be faithful to his name, and score one on your awareness. This review is based on his almost-complete upcoming full length.

"Freak Juice" is the most experimentive track on the release, and also is the perfect opening. The overall demeanor of the disc is prone to provoke nicely planned out collisions between melodic central hooks and supra-orthodox hip hop pulsations, and this particular track is a perfect example of this mandatory strategy. The lazy/hilarious 8-bit video game base reveals a structure that offers a whole set of fields in its anatomy to discover-, even cleverly exploit melodic and hip hop attractions on. I especially like the culmination of the hook, by which the originally simplistic sung line turns into a funk-flavored melodic statement Mike Patton would gladly give to you.

"Heart of a Champion" is a definite highlight that dares to come forth with one of the most fundamental - and therefore efficient - pop chord-progressions, and STILL manages to make it work superbly via the utilization of clever rhythmic patterns. The multiple saturations of the same idea is key herein. Featurette Vanessa Jordan is rendering a lush vocal hook with which she commands the whole build to gravitate around her voice, and it is no wonder that the rapping of Big Hit Buda submits willingly if and when home is Vanessa Jordan.

"Let the music play" summons early '90s charm power, as it really has "2 Unlimited" written all over it. The re-visitation of such roots might seem risky in a scene with expectations sprouting forwards without restraints. Although discarding those for the retroid 4/4 pummel power is a gesture that is capable to stand strong on its own merit, the rampant reliance on autotune might bestow an extreme effect on you. But not necessarily a bad effect, either: be prepared to '90s vibes.

"Stand Strong" once again establishes a particularly intact melodic background via the utilization of two nicely selected chords that intersect the living field between spirituale and house, spiced up by a decent vocal ingredient and a particularly beautiful high frequency synth-pattern. A fantastic moment! The rapping of Big Hit Buda compliments the flow from a very well researched place - mix-wise - , as his presence is relentless and unquestionable, and still, the dominant performance manages to emerge as gentle at the same time, being careful not to hurt its surroundings via peaking into territories it has no business at. A superbly constructed, ultra-orhodox hip hop track with real soul and thought.

"Who I Am" is another massively melody-driven piece, with Ashleigh Munn giving you the funk-spirited stoic declaration of will. Declarations of will are especially uplifting when given by women. You know why? Because women are complete already. That is why men want them. As with the previous track, Big Hit Buda compliments the pacing of the 4/4 pulsation with safe self-reinforcements that reek all the charms and charisma of a self help book, not as if I'd find anything wrong with that.

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Mike Hill Management - Three Words: Welcome to Germany review

Year : 2014
Genre : Hip Hop
Label : Independent
Origin : Germany/United States
Official site : > - here - <

Mike Hill Management is a transatlantic sonic syndicate seeking to facilitate creatively lucrative collaborations between hip hop artists who, despite populating different continents of the planet, are still being fueled by similar urban dynamics in the context of their day to day lives. The album is massively mid tempo, laid back, kind, friendly, fun, thorough in its intentions, and features a deep scoop from the smartly targeted talent pool, oftentimes pairing up female and male rappers in successful attempts to convey additional vocal flavors and grit to the individual contributions. The disc has an element of interconnection, a consistency, which is none other than a fascination towards rich, reverberating '80s sounds that do not seek to intimidate, yet claim the right to come across with unquestionable rigor and ultra-steroid subwoofer volumetrics. Read on to know more.

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Oktayne - Prime Potential review

Year : 2014
Genre : Hip Hop
Origin : United States
Official site : > - here - <

Oktayne did not sport idle hands nor muted microphones since his 2012 full length Feature Presentation - review here - and now the California native is about to invade your sonar receptors with his fresh attempt to declare himself as a voice you not only want-, but need to relate to if to regard yourself as a competent aficionado of the independent hip hop scene of 2014. Oktayne, fortunately enough, chose to keep the delightful, fun, entertaining direction he was treading on intact, resulting in an experience that once again exhibits excessive urges to throw your way as many sounds as possible per second, arranged on retroid - yet, paradoxically : fresh-sounding - backdrops of true, larger than life mid tempo subwooffer pummel power. Read on to know more.

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Doggystyle Restyled - a Tru-bite to Snoop Dogg review

Year : 2012
Genre : Hip Hop
Label : Engireroom Recordings
Origin : United States
Official site : > - here - <

Doggystyle Restyled - a Tribute to Snoop Dogg marks the 20th anniversary of the release date of the debut of renowned hip hop icon Snoop Dogg. The project is an ambitious asset in the catalog of Engineroom Recordings, a label and enterprise that - among other things - specializes in the insatiable deliverance of well executed tribute spins, dedicated to - you guessed right! - various artists. The album faithfully reflects the perennial structure so powerfully assembled by the tributed party with Snoop himself signifying the tip of the metaphoric spear since 20 years and counting, and the artists expressing their unconditional admiration towards this rap star is rendered through competent, even inventive takes on the tracks Snoop Dogg first established himself as a rhymespiller the era has to reckoned with ... with.  Read on to know more about this.

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DraMatiQue - The Burn Mixtape review

Year : 2012
Genre : Hip Hop
Label : Newborn Records LLC
Origin : United States
Official site : > - here - <
This review starts off with the official press release.

West Coast rap artist DraMatiQue(drah*mad*dick )returns with the heavily anticipated follow up to last year's smash debut. " The Burn Mixtape " is hosted by Chi-town's finest...DJ Smoke and includes features from T-Waze The Kid, Ounce, F.A.M.E., Billion Dolla Bill & more along with top-notch production by Ages Beats, Kajmir Royale, Narco Productions, & Beats Planet. Follow on twitter @dramati2ue, @djsmokemixtapes 

Following the Kill the Game Mixtape reviewed earlier this year, your eloquent hip hop papi DraMatiQue teams up with local disc wizard extraordinare DJ SMoke in an attempt to deliver you an excruciatingly thorough silence massacre extravaganza on what the contemporary West Coast talent pool has to offer, and that, naturally/luckily, is a lot to soak your awareness into. Contrary to the trend established by the previous effort, this baby here is not at all reluctant to submit to the ethos of extreme compression, - ultra-max-volume-paua, lover! - so, upon popping this devil into the player, your girl(s) and you should be prepared to take a ride on your subwooffer the moment the first kick drum expresses its decibel volumetrics, regardless of what segment of the room you started making out on.

The new mixtape still packs the tremendous charm DraMatiQue is renowned for, and he did not lose anything from his natural flow, nor added anything to it that would harm it. Courtesy of his sensitivity to offer a series of glimpses on the powers and dynamics that are shaping the face of mid-tempo West Coast hip hop - the style the mixtape is abundant galore of - DraMatiQue is here to claim your fandom with extreme cunning, and I can see on your eyes that he is about to, too. Read on to know more about this.

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BluRum13 - Inverted review

Year : 2013
Genre : Hip Hop with an experimentive Space Opera fascination
Origin : Canada
Official site : > - here - <

Blurum13 might posture in upside down fashion on the cover image of his latest to date full length feature presentation, yet this Canadian rhymerider has considerable chance to perpetuate fresh and relevant patterns into the mere surface of hip hop, Martian face style. Finally! In other words, do not judge the product by the cheesefest cover art, because the music on the Inverted release is about to feed you to an infinite number of singularities just to warm your ears up.

Big words should be reckoned as such, and should not be offered around lightly, yet, in the exact same stone cold sober school of thought, - qwertzuiopőúóüöűáélkjhgfdsayxcvbn - they should be given when the demand for them is warranted and relentlessly claimed. Such is the case right now. The Inverted LP, simply put, is not a disc you can afford to miss out on and call yourself a contemporary rap enthusiast after. The main dynamics the spin takes you with itself by, are the intricately sculpted and super-lengthy - per track, obviously - coalitions between the narration and the sonic surroundings. BluRum13 is quick to zone in on the trademark flow of the effort after a declaration is about to reveal its structural/harmonic nature.

We are talking about a consequently mid-tempo demeanor that always maintains the right to cultivate a desire towards the more upbeat characteristics, and the evident/brilliant hip hop magic happens with top of the foodchain efficiency, courtesy of Blurum13's hilarious ability of simply NOT being able to interrupt-let alone to stop the top tier spoken textcarpet once he finds himself on a roll WITH it, and with YOU, on it. He just took you there, and you two - four, if you include the carpet and the maid - are still moving. This is not propaganda talk, nor propaganda review, ladies and gents, this is extra crispy ultrahip - tukk! - hip hop done in 2013, and you want to hear it. Read on to know more about it.

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Blacky Kev & QweEzY & Mason Way - Invasion review

Year : 2013
Genre : Hip Hop
Label : Independent
Origin : United States
Official site : > - here - <

Invasion is fueled by a one time (?) supergroup collaboration between the three hip hop performers noted on the cover of the release. The disc sports a length most suitable to lay out a decent EP flow on, and such is the case, indeed : Invasion outlines heavily - and tastily - arpeggiated harmonic structures that reveal the musical moods of the coin op beat 'em up games of the '80s - a brilliant vibe, doubtless - delivering an almost polite-, friendly type of rapping by the contributors. The disc is pretty much free of subterfuge and intimidation, while the main base of operation the flow -ha, ha. - inspects, is sex, and the 'hoes to have it with. When sexism is portrayed through the lens of cartoon comic vibes, your only legitimate fear can not be anything else than that you might end up getting left out of it - from the cartoon sexism, not out of fear. Fear not, or do nothing else, then read on to know more about this disc.

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Keenan bros - Blood. Sweat. Tears. EP review

Year : 2013
Genre : Lounge Hip Hop with Soul and Pop affections
Label : Independent
Official site : > - here - <
Rating : 9.2 / 10

The Keenan bros are into the niche of music that was ultra-prominent in the early and mid '90s, popularized mainly by such boygroups as Take That! or Boyz 2 Men. There IS an optimum extra-, a beneficial deviation added to the top, and quite literally so. The Keenan bros are full fledged lounge rappers - no swearing or subterfuge-tendencies - and they spice up these otherwise stone-traditional pop/soul tracks with fluent rapping that renders a continuous, exigently developed layer to catch your attention with. Read on to know more about this.

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Mason Way - The Full Thing mixtape review

Year : 2013
Genre : Hip Hop, mixtape
Label : Independent
Origin : United States
Official site : > - here - <

The Full Thing aims to be an immaculate compilation of the most ripe moments of none less than 7 mixtapes Mason Way came out with in this very year alone. The FUNNY thing about the Full Thing is that Mason Way has developed a full fledged hip hop identity without even realizing it : apart from certain sonic extremes revealed on the disc - some rare cases where a lower volume level of drums would definitely benefit the flow more - the mixtape delivers a ripe, and playful variant of hip hop on the surface level, while the majority of the narration revolves around the most cosmological, the most beneficial man can desire : lamentations about instant pussy vicinity! FINALLY! You will have quite a few declarations fixated on this key subject in an optimal manner - no tastelessness, just the truth. This truth is the following : women are the BEST, but it takes a man to recognize it. Read on to know more about The Full Thing mixtape.

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Slade - This Time It's Personal review

Year : 2013
Genre : Hip Hop, Rap
Label : Slade Records
Origin : United States
Official site : > - here - <

Though Slade's unmistakable talent at sculpting out intriguing mid-tempo backdrops necessarily is evident and an immediate ear treat to behold, the primal name of the inherent hip hop game is the Washington DC based prospect's powerful lyrical content, courtesy of said element's unusual levels of readiness to thoroughly contain and reflect the everyday/myriad states of mind compatible with the almost obligatorily complicated mixture of hopefulness and hot zone-paranoia, both oftentimes associated with the hip hop centric urban lifestyle. A keen affection towards the straightforward, raw melodic hip hop hook and muscular harmonic environment is observable throughout this debut LP, one which exhibits both raw and well rounded production values that bestow a legitimate identity right from the beginning.

The agenda is characterized by elegant simplicity in the sense that Slade exhibits a ripe understanding of narrative focus, never going ashtray from the momentary pathway he is about to explore per track - commitment is showcased to deliver along the timeless (synonym : classic) extremes of the hip hop genre, be that a detailed sit rep of deeply personal emotional torments associated with parental rejection or the shocking portrayal of a man who is about to break ground with a breakdown, even though you can clearly hear that he would be ready to let all bitterness go in exchange for a honest hug the concrete monuments would warrant under any and all crimson sky. Read on to know more about this spin.

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Thomas J - Money Sex Religion Mixtape review

Year : 2013
Genre : Hip Hop
Label : Independent
Origin : United States
Official site : > - here - <

The talent pool of the upcoming hip hop artists seems and sounds to be especially deep, and Thomas J is one of the dudes whose feet touch the floor of said pool while his head popping out at sky levels, yo. (Makes you wonder how come I see it, yes?)

The Money Sex Religion Mixtape makes superb and efficient use of classic-, timeless grooves and harmonic passages you will greet as significant friends you once had AND still have. Many of these nicely realized synth pop backdrops have their origins deeply seated in famous and relevant musical patterns established by different sub-genres and their respective eras, yet Thomas J always delivers a full blown take on the given idea, not relenting until dressing a separate identity around it with the same experience in it, so to say. Sounds convoluted? Good, because that is the agenda.

Thomas J has a beneficial tendency to rap his stuff out as if there would be no tomorrow, - and who's to say there IS, all right?? - conveying a sense of intensity that remains intact even in the more placid sonic declarations of urban city - which I know is a tautology, feel free to soak tongue in rectum in rhythmic fashion until further notice - experience point harvesting. A combination of exceptionally colorful backdrops and abundant amount of lyrical content showcased in the respective songs, Thomas J's Money Sex Religion reveals to me everything I have ever thought about rap so far, and then something more - which is the hallmark of a top tier hip hop record, to be perfectly frank. Read on to know more about this effort and about my overall sentiments towards the upcoming hip hop artists, in the context of this very album right here.

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