Al Burrell - My Promise VOL. 2 review

Year : 2006
Genre : Hip Hop
Label : Independent
Origin : United States
Official Site : > - here - <

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Al Burrell's My Promise VOL. 2 is a significant, surprisingly mature hip hop affair which is available to you since six years, - an exact period in retrospect, as the disc sports a release date of June 30, 2006. Frankly, I'm kind of baffled that this dude did not yet seem to receive more widespread attention from consensus, main reason being that when you invite this spin to let it make you know "wadap", the GTA San Andreas vibe emerges at high octane and invades your receptors 111%. If you are a regular here at Noise Shaft, then you are perfectly aware that you and me had the privilege to hear some solid recent hip hop works already, which puts me into the position to tell you with my poker face applied that this particular one comes from a place deep enough to demand your immediate attention if you consider yourself any kind of a hip hop aficionado. Read on to find out more about this.

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Chords of Truth - Reflections of Reality EP review

Year : 2012
Genre : Psychedelic Acoustic
Label : Independent
Origin : United States
Official site : > - here - <

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Jason Garriotte is the premiere mastermind behind the Chords of Truth enterprise, a psychedelic acoustic project immensely-, smartly-, and relentlessly focused on existentialist observations of all possible reality surfaces, fixated primarily on the one you will have the chance to absorb the project's debut EP through.

The delivery does not only claim that it happens to be an acoustic (guitar) project, it equally takes the liberty to rely solely on the combination of charisma contained in the organic connection between the timeless ringing of the acoustic guitar and between the sung human words. "Angie, 'zat Sunday Mornin'???" Think about a type of exigent bonfire music, which is primordially psychedelic in its rhetorical nature, and, in its musical character. Indeed, the EP reeks the music a prime Timothy Leary is probably ultra-happy with if and when he hears it along a random cosmos, - not to say that he is anything less or else than that in the process, of course - and the inherent intention, the key agenda of the package is to tamely encourage you to explore your inner and outer surroundings with honesty, while the disc also contains the personal model of reality Jason Garriotte is currently cultivating. Read on to find out more about the disc.

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Periphery - Periphery II: This Time It's Personal review

Year : 2012
Genre : Progressive Metal, Djent with an Alternative Metal overtone
Label : Roadrunner Records / Sumerian Records
Origin : United States
Rating :  7.5 / 10 (rating evolved from 7.0)

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Regardless of my stoic subjective determination to refuse to review the first full length package of this formation due to the percept by which I personally have found said outing an exceptionally narcissistic one with its vastly out of proportion 62 minutes of playtime, the band now emerges with a full length weighing in at 69 - random series of facial ticks - minutes, that is an immediate sign of a super-possible - kind of : probable - false sense of proportion not only maintained but nurtured, indicating that the band might have ventured right through the periphery - daaaamnimdouche - to fall in love with their own mistakes. Even the premiere Periphery fan admitted that the debut disc of the formation overstays its welcome. Falling in love with your mistakes has tremendous entertainment value, and ridiculously-, even uniquely so if you are serious about this suggested affair. Nothing is more hilarious-, nor more miserable on the face of this reality surface than the Artist who explains how and why his Art works. Periphery thought they have the juice to be awesomeluciousandofcoursehighlyspectacularenough to reign rampant/evident during and for 69 minutes, which is an exhausting amount of time to spend even under a ravenous Nina Hartley in the 69 posture, so, the premiere US based Meshuggah fanband has a whole lot of things to prove to Yours, Truly to justify the Godzilla program length. The album is pretty good. Read on to find out what I think about this disc, if you really want to know but you are afraid to ask.

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Forgotten Silence - La Grande Bouffe review

Year : 2012
Genre : Experimental Metal with rabid Fusion Jazz and Avant-Garde flavors
Label : Epidemie
Origin : Czech Republic
Rating : 9.2 / 10

If you did not yet see Marco Ferreri's La Grande Bouffe, then now is as good of a time to check out that superb cinematic accomplishment as any other "now" is. The 1973 classic movie tells the story of a high definition gastronomic exploitation exercised by a group of French gentlemen, as they are determined to eat themselves to death, - as a start - scoring some top tier prostitute meat in the process, too. You see - you can try arguing with a French about food, but you need to be extremely well versed in said subject matter to be able to offer relevant information, or, to stand a fricking chance at all. French people are the premiere food fetishists.

Forgotten Silence is a group form the Czech Republic that has been putting out music since 1993, and, following a hiatus dating back to 2006, 2012 is the date they emerge to declare ruthlessly again, and with not less ambitious of a project than a spiritual/musical interpretation of the Ferreri classic I have been mentioning to you. The album, first and foremost, wears the same title as the movie does, and the soundscape features soundclips from the fabric of the film, sometimes exhibited as stand-alone atmospheric elements, while, at other times, snippets from the original soundtrack of the movie - dialogs, mainly - get mixed with the music contributed by the band. Ah, yes - in case you have been wondering, the audio data on the disc kicks your ass to hell and back. Please read more to find out why and how.

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Douche Ambiance

GyZ gives you the song : Douche Ambiance. Listen in HD please.

Lyrics :

take a look at the sky
don't hate
three, two, one : hallucinate

you are doing so fine
when you show me what you find

come on and seek deep inside
tell me what you find
a zeppelin
what a douchebag
a douchebag zeppelin

with the douchebag zeppelin up above
we've got nothing to worry about
starshine, we'll be on board tonight
we are so on board tonight
dancing cheek to cheek
all through the life

come on and seek deep inside
tell me what you find
a zeppelin
what a douchebag
a douchebag zeppelin

we do give in 
on board the douchebag zeppelin
starshine we are so on board tonight

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Nile - At The Gate Of Sethu review

Year : 2012
Genre : Exotic Death Metal
Label : Nuclear Blast Records
Origin : United States
Rating : 8.0 / 10

Nile's At The Gate Of Sethu emerges as a prominent variant on the same type-, same direction of rabid death metal delivery than that declared quite efficiently by Mexico's sacrificial Eztlacuani, as this disc, too, chooses to feature brisk/brief ambient overtones and interludes in the fabric. I'm aware that on paper, this disc is a technical death metal release, but I do not share this notion, because the spin does not sound to be in a hurry to satisfy the related-, extremely high steep criteria systems, managing to emerge as a ballsy exotic death affair nevertheless. Read on to find out more about this elegant LP that has nothing at all to do with the fractal complexity of top tier tech death warfare, trust me.

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Oktayne - Feature Presentation review

Year : 2012
Genre : Hip Hop, Rap
Label : Flu Media
Origin : United States
Official site : > - here - <

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This review starts out by the official press release to familiarize you with the connotations surrounding the contribution.

"Oktayne delivers with new album called Feature Presentation with a bunch of songs for the ladies which indicates LL Cool J as his main influence in his music. The album is his follow up to his slept on debut Self-Explanations. Along with up and coming Bay Area producers within the production squad of The Invasion and Oktayne's friend G-Funk the album appears to be solid. The other producers on the album is the likes of Colorado's Kajmir Royale, and Pittsburg, PA native Sledgren of Taylor Gang."

Ah yeah. Read on to find out if and how - IF at all - the release punishes mean Godzilla style.

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Manowar - The Lord Of Steel review

Year : 2012
Genre : Power Metal
Label : Magic Circle Records
Origin : United States
Rating : 7.0 / 10

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Manowar's The Lord Of Steel for the most part features decently constructed Dungeons & Dragons heavy metal music that shows admirable faithfulness towards the deliberately and free spiritedly cheesy extremes of the testosterone power metal genre. If you are looking for a release that puts an extra layer of hair on your chest and reigns compatible with your carefully crafted live fantasy outfit, then you need not to look further, nor you will need to pull out the time machine out of the barn. The spin has only a little amount of quasi-deviations offered in its fabric, and even those represent a lyrical shift only, remaining on massively power metal tenure from a musical point of view. More on these tame deviations later on. Now, please continue reading if you are intent about knowing this solid, honest, enjoyable-, yet relatively unbalanced power metal cheesefest statement.

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The Offspring - Days Go By review

Year : 2012
Genre : Bubblegum Punk Poprock for Teenagers
Label : Columbia
Origin : United States
Rating : 4 / 10 if you are not a teenager, 8.5 / 10 if you are

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The Offspring band has put not less than 3 years of recording and production works into this album, - not without any pauses in the studio sessions, mind us - and the final results sound like a picture perfect-, risk free mixture between Green Day and Foo Fighters that is the epitome of "meh" in 2012, only it is played by grown ass men who pretend to be teenagers. Oh boy. No pun intended, no fun harvested. The album's title reeks honesty, and THAT's that.

Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiire the cannons of denial!!!

Depending on your age, taste and/or sociocultural background, the release will likely hit you as a pathetic nuisance of ultralow musical relevance, or, it will be - no cynicism here  - your nostalgic sonic backdrop to the private remembrance of your very best teenage summer, but, to be so, you will need to have THAT teenage summer right here, right now - filled with all the beneficiaries you want it to be filled with.

So, if you are serious about the intent to enjoy this release, then make sure you are not more than 14, and crank this up while you party with people you feel yourself good with and vice versa. This is the same thing The Offsping guys are doing. Close to 40, (past, maybe?) they pretend that they are teenagers, and, once this is the line of work you are in, it is just normal, eh? Read on, but don't expect anything from this release other than a series of nervous breakdowns, IF you are in for the music.

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Linkin Park - Living Things review

Year : 2012
Genre : Alternative Rock, Rap Poprock
Label : Warner Bros.
Origin : United States
Rating : 5.0 / 10

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Linkin Park's new record unfortunately shows a mixed fabric as its overall character, composed mainly of a family friendly rap poprock direction that enjoys the approval of your grandma's chihuahua, combined with c-grade pop, that which though is - more or less - decently realized in its servile superficiality, more on that later.

The disc initially reeks sexily and soberly bloated old school production values, and gradually moves towards the "charms"-, the sounds of an Eurovision contest, but Tomas Ledin's 1980 entry "Just Nu" sounds fresher than this disc, trust me. In fact, the release summons the vibes of boy groups from the '90s. The compositional ethos on display is straightforward enough to let me get away with a brief description of it. Consider a heavily hook-centered strategy to craft out the largely harmless musical themes, mainly along a mid-tempo temper. The name of the game, on paper, is rap rock, but, let's not pretend that it is a serious notion, as the album is much more pop in character than rock, and I personally find nothing wrong with that as an agenda - saved for the relatively ubiquitous proneness of the release to submit to radio friendly chord passages Johnny Cash does NOT approve of. The beneficial trait is, that the majority of these chord passages will serve out the rudimentary cravings of the lazy receptors on spot, yet, they will more than likely annoy the living death out of a snob worth calling one. Read on to find out more about the release.

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Gojira - L'Enfant Sauvage review

Year : 2012
Genre : Groove Metal, meshuggah Metal
Label : Roadrunner Records
Origin : France
Rating : 7.0 / 10

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Gojira's L'Enfant Sauvage is a solid musical accomplishment that does not exactly seek to reinvent the Tools - pun just might be intended - it relies on, but it does a more than decent job contributing similar patterns you have been witnessing throughout the recent days of modern - meshuggah - metal. The most notable leanings the disc conforms into are aggressive groove warfare, - think along the lines of Lamb Of God, minus the Southern fixation - gloomy black (!) metal that gets presented with the occasional quasi-angst of the alternative side of the parent genre, while the high definition Meshuggah influence is something you will have the chance to witness at work throughout the release, courtesy of the compositional methods the package is exhibiting. Like in the opening track, read more about that later. For now, read on if you want to know the most favored ways and charms of this decent runner-up from French.

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Slash - Apocalyptic Love review

Year : 2012
Genre : Hard Rock
Label : Dik Hayd
Origin : United States
Rating : 7.0 / 10

This review is a verbatim copy of its original variant, and now it is featured to conduct an experiment. The original variant contains comments, too, in which the author gets some heat from heavy duty Slash aficionados. Read the original variant with comments here.

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The music of Saul "Slash" Hudson has evolved nothing at all since the Guns 'N Roses days, and it wasn't even in the need to, as he is without a doubt one of the most relevant contemporary blues/hard rock guitarists whose playing you can identify out of a dozen imitators. And I deliberately am refraining from offering any more ambitious number descriptors than a "dozen" when comparing Slash's playing to majority consensus, because, though I still consider him 101% legitimate-, - I guess now he is relieved greatly - I don't really consider him to be a player with an adventurous, daring musical vision who seeks to explore awesome boundaries like Paul Gilbert does with tracks like "Echo Song" for example, or Steve Vai with his piece "Massacre" from 1984. Yeah, I dare say one bar from "Echo Song" excites me much more than this here new Slash Guns 'N Roses solo album in its tepid, sweat-and-smoke reeking hard rock platitude entirety.

Popping this baby into the goodol' playa' immediately turned me into a teenager armed with an acoustic guitar and an agenda, making me recall how I listened to Guns 'N Roses in 1742, in the company of a bottle of whiskey when both it and I were left alone in the house, and how I could not walk straight and fell over like a sedated sloth upon I stood up, realizing I became shitfaced drunk in the listening process, but the rabid enjoyment of the Use Your Illusions G'NR albums prevented me from realizing that up to the point which from on I should have been exhibiting legitimate motor functionality.

To tell you the truth, I have almost nothing to say to you about this release other than this is verbatim Guns 'N Roses' Appetite for Destruction from 1988. Not a tad worse, not a tad "better", and not at all belonging to any other production ethos than that fueling the aforementioned premier inspirator. The album sounds like the 1988 album from top to bottom, I'm not kidding you. Total AFD warfare. Read on to find out more about this old school Guns 'N Roses release or feel free to skip it altogether as you won't be missing out on a single fricking thing of true relevance, I'm afraid.

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Ihsahn - Eremita review

Year : 2012
Genre : Black Metal Interruptions
Label : Candlelight
Origin : Norway
Rating : 8.2 / 10

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When a 2012 metal release features post-breakdown Nietzsche - he is your papi - on the covert art, you know you have music to listen to, and this one is the solo project of Ihsahn, who primarily is renowned as the ex-fronter of prestigious Norwegian black metal ensemble Emperor. I became remotely familiar with the style of Ihsahn through the latest to date Jeff Loomis solo album, - "Plains Of Oblivion, AKA. "POO", but the album kicks the ass as opposed of buckling out of it, pardon my French" - on which he - Ihsahn - lends vocal talents on one of the songs. Jeff Loomis delivers a solo on THIS album from rebound position, so things are even.

The package is pretty clear, consistent and efficient at what it wants to do. The main agenda is to entertainingly deceit, as oftentimes the disk administers the maelstrom-type of chaotic black metal, which gets playfully interrupted by either a much tamer-, almost hard rockish hook from time to time, or, even by a shamelessly gentle and easily accessible mini-session. The first song is an example to this method right away, but rest assured that the compositional behavior realized in the opening track is one that is propagated throughout the release with solid appeal. Read on to find out more about this.

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Whitechapel - Whitechapel review

Year : 2012
Genre : Deathcore on groove metal and meshuggah metal pill
Label : Metal Blade Records
Origin : United States
Rating : 8.0 / 10

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The new Whitechapel disc, while supremely assuages the types of cravings the premiere deathcore fan is most likely to exhibit, it also offers pretty admirable and well constructed attractions throughout, courtesy of the narrative tools and the related musical influences being at its disposal. Luckily, the package is not reluctant to rely on its key interests and idols, a set of circumstances that invite the spin to emerge as one that does not satisfy with the act of conforming to your anticipations - it seeks to shape those along the way, too. Any record below that aspiration is automatically "meh", in a sense. On the other hand, rest assured that the spin will be doing everything you want it to do, but it is the "how" and the "what else" that integrate this baby into the - oh, so enthusiastic - flock.

The pastimes of the disc are well varied, not surprisingly. With great delight I experience that the album is not overfixated on sonic ferocity for the mere sake of sonic ferocity, and this is something most notable throughout the colorful, well presented tempo selections. A healthy amount of mid tempo warfare is on display here, reeking Meshuggah from top to bottom, teaming up with a propensity to offer groove metalish leanings- The track "I, Dementia" is a great example for this, with a structure that features whole musical passages that adore the Catch 33 Meshuggah LP via the riffcraft. Catch - ha., ha. - the riffage starting from 2:26 in this song. Picture perfect Meshuggah clone music, but Meshuggah clones are sexy.

Sure, the proceedings deviate from the math metal genre later on, and do a pretty decent job at revealing breakdown-centric metalcore with decent high frequency detail embedded in it. The disc showcases an almost exclusively angry overall temper, and I, for one think it looks pretty good in this mood. Read on to find out more about the disc.

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Supercollider

GyZ gives you the song : Supercollider. Listen in HD please.

Lyrics :

your love, your love : cinder 
cinder super supercollider
breaching through you

say that you are mine
mine, mine, mine
even, if it's a lie

your love, your love : cinder 
cinder super supercollider
breaching through you

say that you are mine
mine, mine, mine
even, if it's a lie

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http://noiseshaft.blogspot.com Read more!

Candlemass - Psalms for the Dead review

Year : 2012
Genre : Epic Doom Metal
Label : Napalm
Origin : Sweden
Rating : 4.0 / 10

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The reviewer is not important in a review, but now it is important to note that I'm a fan of Sweden. I'm an Abba fan, a Meshuggah nuthugger and meshuggah metal aficionado, and Swedish women seem to be beautiful cosmic constructs - though I've never met one in real life yet to this day - and Sweden sounds to have an interesting, funny native language, too. Tomas Ledin's timeless "Just Nu" drew my attention to this percept. Also, Sweden has the most high suicide rate in the world currently, which probably shows that they are deeply spiritual people. It is easy to kill yourself if you take yourself too serious. Like this release does with its last song, "Black As Time", more on that later. The reason I'm making these initial observations, is the following : I don't like the fact that yet again I must write bad things about a Swedish disc after the Diablo Swing Orchestra's latest output, because, believe you me, I wanted to love this release from Swedish doom metal ancients, Candlemass. But it is impossible, for me, because I find 75% of this release - to be modest - vastly underwhelming, non-inspired AND non-inspiring. Read on to find out more about this.

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The Incredible Kicks - Ineffective Lullabies EP review

Year : 2012
Genre : Progressive Pop/Rock with a psychedelic tint
Label : Independent
Origin : Australia
Official site : > - here - <

The Incredible Kicks is a progressive pop/rock formation rumbling forth from Brisbane, Australia, and they play better music than you think. Consider a free spirited-, and very maturely assembled EP blending together the following ingredients : Queen, Muse, (they ARE similar in nature, only Queen has more ballZZ and less breakup-breakdowns, courtesy of that random guy, Mercury Whatwashisnameagain??) Pink Floyd, coated in an efficient/elegant psychedelic vibe that reeks the character of Mr. Bungle. Hell, I'm even picking up on a constant, hilarious sidekick-mockery of "Bon Jovish" glam metal traditions in this music, which also serves the builds very well, as it is never presented as THE content - it is presented as the invitation to have an honest, good laugh at the "mere" feel-references, and let me tell you that the lead singer of this band sports top tier lungs any pop singer would kill for secretly. (Some numerous times.) Read on to find more about this delivery, which certainly is worthy of your attention, and especially so if you are planning to catch these guys on tour, - see below - as they are about to set out on one, following the official release date of the EP, which is July, 13. 13 huh. That's the spirit!

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Kyley Styles - One Short Of A Six Pack EP review

Year : 2012
Genre : Alternative Soft Rock
Label : Independent
Origin : United States
Official site : > - here - <

Kyley Styles' One Short Of A Six Pack EP brings to you a form of alternative soft rock music that Foo Fighter's lead mastermind Dave Grohl equally has a whole lot to cheer-, and to be concerned about.

Kyley Styles clearly is a mature and precise response from "mere" population to the cultural impact of how Grohl's music affected regions of its collective psyche, and, from now on it is official that the pantheon of legitimate alternative soft rock contenders is enriched by a nominee who is all about radio friendliness, combined with the competent realization of a sound that is capable to convey a tint of grit without being aggressive enough to scare your grandma's chihuahua away. Read on to find out more about this.

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Movie Theater Visitor

GyZ gives you the song : Movie Theater Visitor. Listen in HD please.

Lyrics :

looks like it's rolling
it's rolling-rolling
the movie of your life is rolling
it's really rolling
don't

you're so rolling

you're so rolling
moving, crusing
rolling, rolling
you're so rolling
the movie of your life is rolling
as the movie theater visitor
I'm epitomy : keen
because
as a consumer
the more I watch 
the more I've seen

looks like it's rolling
it's rolling-rolling
the movie of your life is rolling
it's really rolling
million alien dreams unfold

because 
million alien dreams unfold
the movie of your life is rolling
because
million alien dreams unfold

looks like it's rolling
it's rolling-rolling
the movie of your life is rolling
it's really rolling
don't

you're so rolling

you're so rolling
moving, crusing
rolling, rolling
you're so rolling
the movie of your life is rolling
as the movie theater visitor
I'm epitomy : keen
because
as a consumer
the more I watch 
the more I've seen

million alien dreams unfold
looks like it's rolling
it's rolling-rolling
the movie of your life is rolling
it's really rolling
million alien dreams unfold

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Kei-Shon-Son - I Can't Call It Vol. 4 review

Year : 2012
Genre : Hip Hop with clever, tame experimental tints
Label : Independent
Origin : United States
Official site : > - here - <

Kei-Shon-Son's latest to date project is a series of releases that focus on the working hours side of everyday existence, and this indeed is something most listeners will have not much - if any - trouble relating to.

This particular mixtape, composed of a smart selection of the related material contributed continuously by the artist, features seven tracks, and not one of them bleeds through the 3 minutes mark, in fact, they do not even reach the mentioned benchmark. Really not a problem, quite the contrary : Kei-Shon-Son seems to have found his style, which is to deliver the goods in straight-out fashion and with fluent, swift efficiency, without relatively cumbersome musical buildup strategies being forced down on your receptors in the process. Read on to know more about this mixtape.

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Fear Factory - The Industrialist review

Year : 2012
Genre : Industrial Metal
Label : Candlelight Records
Origin : United States
Rating : 7.0 / 10

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Introductory info is quoted from this Wikipedia page. :

The Industrialist will be a concept album, Burton C. Bell said. "The protagonist (The Industrialist) is the incarnation of all industries in the form of an automaton. The mechanical, technological, and scientific advances through the industrial age led to the creation of The Industrialist. In the story, the automaton becomes sentient as it collects memories with each passing day. Through observation and learning, it gains the will to exist. What was meant to help man, will eventually be man’s demise." ...

This album shows tremendous initial promise at being the audio interpretation of a recent popular image of science (fiction?) depicting dehumanized humanity at the verge-, or, maybe, at the middle of a war that it is waging against its own creations. The concept is not new, yet its current interpretation, by Fear Factory, at least attempts to imbue novelty into the mix, as now the narrative attraction revolves around the automaton who becomes sentient. Pinocchio 2.0. You know the Quake games, and you know the movie Avatar. Sure, they are separate mythologies, still, the technology revealed in these sagas are super-similar to each other in "feel". Technology, if sufficiently sophisticated, can not be differentiated from magic, still, it is fun to see weapons so big that you'd need a set of cranes to lift and fire. I have a hunch that Fear Factory wanted to take you on a thorough sonic sightseeing in an alternate reality in which humanity wages war with the aid of rocket powered projectiles and plazma AGAINST sentient technology that decided that

your flesh is an insult to the perfection of the digital. - Shodan style. Alas!, this invitation is so frequent indeed, - here is a relatively recent one, orchestrated to progressive metal - that the sentient automaton direction promises some structural narrative which wasn't thoroughly explored yet by music. You wished.

Once again, this type-, this ethos of sci-fi is not unknown, nor novelty - but superb fun! - since 1979's Alien, as, let's face it, to this day, modern sci-fi rips off the industrial look depicted in the Alien movies. Doom rips off this environmental lingo, Quake rips it off, Avatar, the movie is a rip-off of that look, too, only more meticulously realized and organic elements were added as the counterbalancing of the industrial visual lingo. So, Fear Factory's new album, I feel, is a KUDOS! attempt to the look and feel of the Alien movies and the "feel" of a war you wage against sentient evil machines. Beware of the toaster. EVIL! Oh really. Tell me about it. I'm listening. Quite -ha. ha. - literally.

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Jeff Loomis - Plains of Oblivion review

Year : 2012
Genre : Massively Instrumental Progressive Metal with Djent tints
Label : Century Media
Origin : United States
Rating : 9.2 / 10

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Unless you are one of the gentlemen listed in the poll at the right sidebar of this site, or, if you are armed with a delusion of guitar-grandeur - oh, which guitarist isn't? - then know that Jeff Loomis plays a meeeean-mean guitar a supreme prickord can't dismiss and keep a reputation. I confess I totally and completely am unfamiliar with the catalog of Mr. Loomis' premiere ex-squad Nevermoore, but I always am open to hear the results whenever a renowned guitarist emerges to declare a solo contribution that promises high definition melodic shreddage. The more your guitar sounds like an 8-bit Nintendo synth, the better you are, and this is not a joke, nor an exceptionally bad one at that. Read on to find out more about this eloquent blend of massively instrumental and granulatedly vocal delivery.

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Prudent Concept - Body

GyZ gives you the song : Prudent Concept - Body. Listen in HD please.

Lyrics :

reality geek interface
stimuli interceptor
cultivate capacity to evaluate
calibrated sentiency 
growing aware of a rule-set 
consciousness acts 
with what it simulates

infinitely accumulates 
coding prototype reality
omnipresent in fragmented totality
free will-operator
pixel on the screen
seeking out functions 
in the entropy reduction machine

prudent concept 
exiled at the core
consciousness imposed
containing 
a reflection of all

prudent concept
primordial will
every face every sentiment
every place every dream
all data is real

free will-operator
exiled at the core
consciousness imposed
containing
a reflection of all

prudent concept
primordial will
every face every sentiment
every place every dream
all data is real

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http://gyzmusic.bandcamp.com
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