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Tuesday, January 3, 2012

Primal Fear - Unbreakable review

Year : 2012
Genre : Power Metal
Label : Frontiers Records
Origin : Germany
Rating : 8.0 / 10

Buy it now

Primal Fear's Unbreakable is your perfect way to open up a new year in skirted Puma sport shoes. The Photoshop covert art has a tremendous 1992 Amiga computer game vibe somewhat, at least in my mind. Unbreakable is fueled by oldschool enthusiasm rampant-unalloyed at the start line, as these German vets bring a good amount of quality power stimuli on a record that shows only minor irregularities in the OH!, so important department of ruthless cheesefestation Camambert efficiency.

Following a budget Casio orchestra epic - synonym : pinball machine soundtrack - intro, unbreakable starts out with definite highlight delivery "Strike", in which a hilarious sense of a blend of proper Megadeth and hefty Iron Maiden is unleashed on your receivers, and this attitude is maintained intact in the consecutive track, "Give 'Em Hell". From then on, the record has a mixture of decent tracks, a couple of - not more of - fillers, and you really need to look with intent eyes to sport a definite yawner, fortunately. And, according to my experience, if you are looking for boredom with intent eyes, then there isn't any. Read on to find out more about this fun power metal release.


The Unbreakable LP has a high expectation level it demands from itself, and, courtesy of a galore of quality paua metal parts to soak your ears into, the release, for the most part, satisfies those expectations in - sorry about "teh" following - quite satisfactory fashion. The exclusive moments of less integrity I perceive in the fabric of this baby always punishes through the sinister means of the the goodol' communist marching song vibe, but, the band almost sounds to notice how embarrassing the feeling in question can get at times, and they are hasty to wrap that feel up prior its dominance.

The delivery shows a multitude of well cultivated primordial behaviors, as it does and delivers every method and mood you ever wanted a power metal album to immerse you in : it rumbles with that pink latex thing, violating consensus with the concealed retina-silhouette of the highly power metallic evident testicle, and, when it chooses to put a leash on speed, its mid-tempo contributions, along with a set of larger than life power metal ballads, work quite well, too. Personally, I think power metal ballads are sucking out female zombie eyeballs and won't relent doing that, but, if your opinion differs greatly, then please share your top five power metal ballads in the comment section to the reading pleasure of the other visitors and yours, truly.

If you are a power metal fanatic-, OR enthusiast, then it is very unlikely that you will have any problem at all listening to this release, as it has absolutely ripe melodic moments while it respects /worships the unwritten rules of power metal compositional techniques. The less muscular tracks are still good enough to give your very best puzzled look to. When compared to the other pieces on the release, the track "Bad Guys Wear Black" is a pretty terrible song in my opinion, and probably the worst on the entire release. The next one, "And There Was Silence", has terribly mannered singing in the verse. If you can endure these moments, - which is not as hard as French kissing a cobra - then the release is pure gold for you. Enthusiastic, exigent, tame-but-diligent power metal that finds an Iron Maiden banging her head, and that says something.

Rating : 8.0 / 10

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