She Saw the Butterflies

GyZ covers the song : She Saw the Butterflies by Brian Lee Stephenson and Matt Love. Listen in HD please.

Lyrics :

spent a lot of time
just trying to track you down
your manager don't care
he's just a greedy clown

you took them all on
warpaint-lipstick girl
when you were through with them
their dicks were purple

she she she she
she saw the butterflies
they crawl between her thighs
they really did not recognize
that she was mine all mine all mine

oh girl I will take you home
oh girl I will take you down
so neither of us will be alone

oh girl I take you home
and I take you down

sure makes me wonder
if you're even there
pleasure gets hostile
tactile everywhere

straight on to you
antithesis-girl
when I'll be through with you
we'll be out of the world

she she she she
she saw the butterflies
they crawl between her thighs
they really did not recognize
that she was mine all mine all mine

oh girl I will take you home
oh girl I will take you down
so neither of us will be alone

oh girl I take you home
and I take you down

hold on to me

I allow your menstruation
I swallow your menstruation

hold on to me

Buy this for $1 at :
http://gyzmusic.bandcamp.com/track/she-saw-the-butterflies

Here is the original version of the song this cover is based on :
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=634732&songID=4737304&showPlayer=true


GyZ at Bandcamp.

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Anodine - Passages review

Year : 2013
Genre : Alternative Rock, Electronic Ambient, Trip Hop
Label : Independent
Origin : Germany
Official site : > - here - <

Anodine occupies a multitude of stylistic positions in its current state, a circumstance that equates with the most beneficiary perk of this current-one-man-band which is though at the verge of forming into a full escalation silence massacre squad. The moods and directions the disc seeks to flatter towards throughout its 80+ minutes of playtime, are versatile and numerous. The most prominent form is that of dark alternative rock of massively midtempo demeanor, and, what is especially dear to my heart, are the eminent rhythmic Meshuggah influences -even if there are no more than 8 bars of those on the package - and the great melodic hooks that reek the best moments of Stone Sour. Corey Taylor is your papi, if you have ever wondered.

These affections are not at all in any kind of hurry to exhibit their beneficiary presence, mind us, as the album takes the liberty AND the time to court prolonged electronic fascinations whenever its pacing feels the need to do so. At their best moments, these electronic quasi-ambientistic (TUKK!) immersion-attempts summon some promise of VNV Nation, and, sometimes they just hang in the air and keep you hanging on with no top of the foodchain prime Kim Wilde present, which saddens me greatly. The bass guitar always is live though, radiating an organic, fat, evil and dirty quality - in the positive sense of the expression - to simultaneously assuage and provoke an otherwise icy, cybernetic fabric. The album, though deeply personal, places considerable and eloquent musical emphasis on the silly little thing called clarity of thought and its bestest buddy called dignified thematic accessibility. Read on to know more about this.

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Rog & Glenn - Close the Club review

Year : 2013
Genre : Classic Soft Rock with Experimental tendencies
Label : Independent
Origin : United States

Official site : > - here - <

Rog & Glenn is a duo armed with all the pro(fessional) tools required to realize their radical, yet exigent vision of musical extremes. The cultivation of sonic fun, fortunately, is the most important goal of this healthily sized delivery, and the set of mature compositions are not any more alien to the overall flow than an array of equally resident sonic environments specifically emerging as successful testaments of a love for old school classic rock - now orchestrated though to the instruments of icy synth pop with whimsical experimental leanings under its belt. In case that the intersection of classic rock and rampant synth pop experimentation sounds contradictory to you, then welcome to the club which is about to be closed down - a nice marketing strategy, if you ask me. And the related conclusion could not be simpler, either : you better start to party like there is no tomorrow. Read on to know more about the disc.

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DraMatiQue - Kill The Game mixtape review

Year : 2013
Genre : Hip Hop Mixtape
Label : Newborn Records
Origin : United States
Where to Check Out : > - here - <

Press Release :
The classic, highly anticipated debut mixtape from West Coast rap artist DraMatiQue ( drah*mad*dick ). This well crafted, sixteen track extravaganza serves as an entertaining introduction to one of hip-hop's most original and creative artists to emerge in recent years. " Kill The Game Mixtape " is hosted by DJ Omega Red and boasts features from A$e Card, Haze, Corey Drums, Official, Petey Popoff, Young C.E.O.z., & more along with stellar production from Beats Planet, Kajmir Royale & Stompboxx Music. Follow on twitter @dramati2ue, @DJOMEGAREDNY

Streaming/Download Link ( no log in required ) : http://www.datpiff.com/DraMatiQue-Kill-The-Game-Mixtape.429536.html

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Hans Inglish - Dance Druggie track review

Year : 2013
Genre : Dance with a Synthpop affection
Label : Independent
Origin : United States
Where to check : > - here - <

New York based unsigned disco wiz' Hans Inglish is looking to ignite all dancefloors near you and then some with his fresh dance/synthpop declaration "Dance Druggie". You might wonder if is it the proper time to hide your daughter in the closet with her assets attached, and it really is dependent on the generic awareness level and mod(a)(e)l disposition of said entity.

Hans English starts out the fray with a tastily bloated Detroit techno synth (a classic timber!!) which is flattered swiftly by good old 4/4 pummeling - the hook willingly submits to orthodox dancefloor/bounce pop traditions by relying on an elegant, simplistic chord progression that serves its efficient multi-purpose functionality both as track culmination and verse structure. The focal idea herein seems/sounds to be to make you acquainted enough with the lyrics so you can sing along while moving your body in an intentionally rhythmic fashion, - or, if you just have a seizure, sorry about that - and it really is a matter of your personal level of current sophistication - AND the amount and types of stimuli your system is operating with at the present moment - if you submit to the music, nevertheless the song doubtless is compatible with the timeless act of scanning for a gal who is a m4n14c on the floor and is not afraid to show it. Beware though, because you might find her, and pray for someone or at least for something that it is not JUST your imagination. (Yet.)

Check out the video with lyrics embedded in a nicely designed Flash animation format : > - here - <

GyZ at Bandcamp.

If you want, check out my music

and / or

Buy me beer. Read more!

Taylen - Masque EP review

Year : 2013
Genre : Power Metal Progressive Metal
Label : Independent
Origin : United States
Official site : > - here - <

Taylen's Masque EP brings to you pink teen pop with sugar and chocolate syrup on top, which equates with the most optimal sonic medley in case what you are looking for is nothing else or less than what this ultra-soft and idealistic lookout on life has to offer at immediate and intentionally superficial observation.

The disc, I feel, is primarily targeted for a younger and preferably female audience, since, though I condone no particular qualms or caveats at all towards the installment, - and sub-zero towards a female ethos - its relentless urge to conform to the teenager emotional disposition is rampant/evident throughout. There is nothing wrong with being a teenager. It is a state, and this is the very music that seeks to reflect on the intentionally positivistic aspects of said state. Read on to know more about this.

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Aelo - Blue Music review

Year : 2007
Genre : Ambient Lounge Chillout Club House Synthpop
Label : Independent
Origin : Switzerland
Offiicial site : >-here-<

On occasion, the cover art of a release and the music you hear on the media are correlating to each other with picture perfect accuracy, and Aelo's Blue Music mixtriad is a fluent example on this relatively tame and rare tendency. Aelo, I am almost sure, is a formation that loves the great song "To the Sea" by the fellow Swiss synthpop duo Yello, as pretty much all songs on this modestly and cleverly paced contribution - we are talking about 12 minutes, but 12 eventful minute it is, as I will attempt to make you see and as they will attempt to make you hear - reflect an insatiable urge to convey a transcendental message of the collective Atlantis I personally suspect everyone secretly shares in their soul. You too?? SEE? That's what I'm talking about. That's what THEY make their music about.

Though the opening track is not hesitant nor ashamed to utilize ancient-, yet doubtless timeless drum and bass loops and Flimbo's Quest-grade C64 synths just to make a stand and reveal variations on how to take these brisk and extreme components into the rather literal and cunningly inviting Blue by relying on TRULY top notch melodic hooks, - you know that I'm way too much of a miserable snob to throw around compliments like this easily - the second track is a more mysterious and thrill-filled build with elegant melodic forms and even a piano improvisation session that emerges successful as result of the mere humility it manages to communicate itself with. Richard Clayderman is your Papi and he is playing the piano to make you very very sad. (And he succeeds masterfully.) Read on to know more about this sympathetic EP length contribution.

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Brando Albers - Fading Away review

Year : 2013
Genre : Dark Synthpop with an Electro-Sludge tint
Label : Independent
Origin :Canada
Official site : >-here-<

Brando Albers is a massively synth-centered independent silence disruptor who notably sounds to share a quite similar spiritual disposition to that of the retro era Depeche Mode Collective, yet, the presence of that trademark gritty black leather charisma the Brit trio is notorious of is interchanged with a more restrained and deeply self-reflective demeanor that never assumes that you have some place to hurry to emotionally and/or (non)physically. If you absolutely HAVE to, then you are not really needed there, anyway. The particularly calm, contemplative and spacious spacing (I just lost a level, yes) of the music equates with the premiere strategy Brando Albers makes things easily and fluently decipherable with as far as the orientation process is concerned on his robust, and morose soundscapes. It all is a matter of your very own willingness to surrender to the ubiquitously and relentlessly contemplative musical mood, one which, on occasion, takes sufficient cunning and rampant liberty (naturally.) to reveal the shades of good old fashioned soul-defiler doom metal WITHOUT a single guitar being in the vicinity. Read on to know more about the music of Brando Albers.

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