metaphysical

GyZ gives you the song : metaphysical. Featuring : Dr. András László. Listen in HD please.

Lyrics :

metaphysical
not astronomical
it has nothing to do
with the Buddha libido

quite some time
you've been searching for the answer
your body pulling you under

deep inside
some part of you is still there
it's coming all together

so primordial
quintessential
it's so real that it's
not even physical

metaphysical
not astronomical
it has nothing to do
with the Buddha libido

a nemértés tébolyult örömünnepe

so primordial
quintessential
it's so real that it's
not even physical

individuality
retained in digital capacity
individuality
reflected in fractal complexity-city

cleanse in dirt
stripping yourself of the world
the one thing
that can corner you consistently
is the truth

deep inside
some part of you is still there
it's coming all together

so primordial
quintessential
it's so real that it's
not even physical

metaphysical
not astronomical
it has nothing to do
with the Buddha libido

a nemértés tébolyult örömünnepe

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http://gyzmusic.bandcamp.com/track/metaphysical

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Prehab - I Haven't Been Completely Honest EP review

Year : 2013
Genre : Post-Grunge, Rock, with a tint of Glam Metal
Label : Independent
Origin : United States
Official site : > - here - <

Phoenix based Prehab brings you an extensive band history paired up with a colorful vision of music that emanates the charms of its most primordial inspirators. On their debut EP, the band accounts the quintessential musical shapes that have formed the collective mind of the ensemble, as, following an orthodox opening track with a lot of raw metal hard rock muscle power being violently exploited by the zero tolerance 4/4 pummel, - the harmonic structure is the epicenter of the Sex Pistolsian original punk ethos, in case you feel you have heard this power chord pattern before - track number 2, "False Horizon", starts out with the exact same guitar riff Eddie Vedder sung "What the FUCK is this world?? Coming TO, you DIDN'T??" to in 1991. Now the timeline is hacked, all that with the approval of Walter Bishop, and you will sing "What the fuck is this world..." at the start of "False Horizon", only to realize at the very next moment that Prehab really is just teasing you. They emerge competent enough to court the cultic soundshapes from yet another-, albeit orthodox direction. During the verse structure, "False Horizon" is hasty to dress into "Smells like Teen Spirit", - Nirvana - even the trademark, badass Starsky and Hutch picking style of Nirvana fronter Kurt Cobain is payed hommage to. Approved. A decent hook that summons a tint of AD/CD gives identity to the song. Read on to know more about the EP.

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Depeche Mode - Delta Machine review

Year : 2013
Genre : Synthpop
Label : Columbia
Origin : United Kingdom
Rating : 10/10

With its freshest full length contribution, Depeche Mode remains faithful to the pristine spiritual disposition that has found resonance with a legion of individuals throughout the past 30+ years. The music on the disc is uncompromisingly Depeche Mode and -logically - unrelentingly authentic at that. The album starts out in an impertinently  cunning fashion, as the group isn't afraid to park a frightening suggestion into your nervous system, making you startled that they might have been infected by the rampant dub step antics so prevalent in recent days, but right before you would start to acknowledge the presence of the lurking suspicion with a cosmic index finger handy, - sorry - you find yourself in full blown and freshly painted Depeche Mode environments with icy/unrelenting harmonics bending the then-secondary dub step connotations to their irresistible will, and Dave Gahan, OH!, the Dave Gahan still is one golden throat of a million with God's direct approval backing it up - his voice did not lose any charisma at all during the years, if anything, it got even less restrained than it ever was. Time does not "James Hetflieds" the Gahan.

The demeanor of the disc is classic Depeche Mode in the sense that the pacing cultivates and maintains the trademark transcendental urge throughout, a musical and artistic disposition that some equate with gloom, whereas, according to my percepts, the band merely seeks to express the inevitability of existence, the mere Nietzscheian - sorry if there is no such word, Friedrich - helplessness towards it. The message, actually, is totally and completely positive. You just have to look for the logical conclusions. But some butts are just way too massive and lazy to be lifted around by will "alone". All you have to do is looking for the ultimate meaning, and there is nothing that can be taught to you that some part of you does not already know. So, in a sense, it is your responsibility if a Depeche Mode song brings you down. Then that part of you has a deficit, and the group was kind enough to point that out. Negative tendencies? Are you sure? A verbatim quote from this disc : "All I want is love". How does it differ from the psychedelic ethos? If you think Depeche Mode is gloomy, then it is almost entirely sure that you don't understand them. It is cleansing in dirt.

The music still is composed of meticulously realized science-fiction sonic stills, revealing the process in which the individual consciousness attempts to inspect its own nature and its current limitations while living through a human condition. This process necessarily is mysterious, and so should the music be. Depeche Mode always was, is, and I assume, will be the master of revealing this particular mystery, which reigns amidst the greatest ones of them all. From a new Depeche Mode full length, I wanted eloquently articulated mystery, and that is what I got. Read on to know more about the album.

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a FreePeople listening session

Year : 2013
Genre : Pop, Lounge Hip Hop
Label : HustleHard Music Entertainment
Origin : United Kingdom
Official site : > - here - <

FreePeople is a late-romantic yet honest popcultural response to the peak period of such acts as Boyz 2 Men or East 17 of the early and middle '90s, now consorted though with a type of legit lounge hip hop, which weighs in highly compatible with delivering submachine gun rhymes as an attempt to demonstrate high value towards the neighboring representatives of the opposite sex. The music is safe-, family and girlfriend friendly, and the presented musical accessibility is spiced up both by competent secondary ornamentics - got to love the Blade Runner synths in the track called "GoodBye" - and by passionate emotional delivery that sounds to be out there to affect the lady/slut switch in females, and it is up to listener to determine the success level of this intent.

While the individual romantic tracks contain the exact harmonic passages you'd expect to hear from an effort of similar agenda,  the band emerges armed with its most mature and most relevant form whenever they choose to emphasize the lounge hip hop connotation of their trade. Read on to know more about this.

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Phil Stoodley - No Surprise review

Year : 2013
Genre : Pop, Soft Rock
Label : Independent
Origin : United States
Official site : > - here - <

The guy under the classy hat is Phil Stoodley, and his niche of expertise is massively soft rock influenced roadway pop, reflected through a nice, diverse variety of modal tints and emotional demeanors. The music, though polite throughout, reveals a keen affection towards exquisite harmonic passages that serve as trusty backdrops for an adept mixed voice register reminiscent of the overall CLEAN timber of Brian Adams, minus the semi-artificial grit of said notability with which he sounds to garner undeniable emotional effect with. Stoodley is more natural, and is comfortable with showing it. Read on to know more about his full length sonic declaration, "No Surprise".

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